The Lenten Rose Auction

6 min read

Story Premise 6 min read (1,091 words)

"I’ve never been the type to jump at creaks in the floorboards or chalk up a chill to anything but a draft. My name is Marcus, and I’ve spent most of my life as a skeptic, a forensic accountant with a mind for numbers and probabilities. Ghosts don’t show up on spreadsheets, and coincidences are […]"

I’ve never been the type to jump at creaks in the floorboards or chalk up a chill to anything but a draft. My name is Marcus, and I’ve spent most of my life as a skeptic, a forensic accountant with a mind for numbers and probabilities. Ghosts don’t show up on spreadsheets, and coincidences are just that—coincidences. But there’s one day, twelve years ago, that still makes my skin crawl whenever I think about it, and it began with a box of old garden tools.

My great-aunt Eleanor and her daughter, my cousin Ruth, had bought a fixer-upper in the hills outside the town of Ashwick. The previous owner, a reclusive botanist named Dr. Aldous Finch, had died of a heart attack in his greenhouse, surrounded by his prized collection of rare and poisonous plants. The house sat on a sprawling property with overgrown gardens, and Eleanor saw it as a labor of love. She and Ruth spent weekends clearing out the clutter, and one dusty afternoon, they found a tin box buried in the potting shed. Inside was a tarnished brass compass, its needle spinning erratically, and a leather-bound journal filled with cryptic notes about ‘the whispering soil’ and a ‘gate of roots.’ They brought it home, thinking it was just eccentric ramblings.

That May, the annual Ashwick Spring Market rolled around—a tradition where half the town set up stalls on the green, hawking everything from hand-knitted scarves to chipped china. Eleanor and Ruth decided to participate, clearing out more of the house’s remnants. Among the items they packed were a set of rusted garden shears, a cracked ceramic pot, and the brass compass, which they thought might fetch a few dollars. They loaded their pickup truck and made the winding drive into town, the morning mist clinging to the hills.

They set up their stall by the old stone fountain, and by midday, the market was bustling. A wiry man in a flannel shirt stopped to examine the compass. He picked it up, and the needle spun wildly before pointing toward Eleanor’s truck. His eyes widened, and he muttered, ‘You should burn that thing,’ before walking away. Ruth laughed it off, but Eleanor felt a chill. They moved the compass to a cardboard box under the table, hoping to forget about it.

As the afternoon wore on, strange things began to happen. The ceramic pot, which they’d bought at a thrift store, started to emit a faint, sweet odor—like rotting flowers. A customer who bought a bundle of dried lavender complained it smelled like decay. And every time someone passed the truck, the truck’s radio crackled with static, even though it was turned off. Eleanor noticed that her watch had stopped at 3:33, and Ruth admitted she’d felt a tapping on her shoulder all day, but whenever she turned, no one was there.

Determined to be rid of the items, Eleanor decided to sell the compass to a curious collector, a man with silver-rimmed glasses who seemed overly interested in its history. He offered a hundred dollars, and Eleanor agreed. As she handed it over, the compass needle spun and pointed directly at her, then fell out of its casing. The collector laughed and said, ‘It’s broken, but I’ll still take it.’ He paid and left. Relieved, Eleanor and Ruth packed up as the market began to close.

On the drive home, the sun was setting, casting long shadows over the road. Ruth was driving while Eleanor dozed in the passenger seat. A sudden thud from the truck bed made Ruth swerve. She pulled over and found the ceramic pot shattered on the asphalt, shards arranged in a rough circle. Inside was a clump of black soil and a single white root, coiled like a worm. Eleanor, now awake, felt a cold certainty that something had been following them all day. She remembered the journal’s note: ‘The roots remember. They seek the gardener who disturbed their sleep.’

They hurried home and threw the root into the compost pile, but that night, Eleanor dreamed of a garden where the flowers had faces and whispered her name. She woke to find her hands covered in dirt, as if she’d been digging in her sleep. Ruth found her own footprints leading from the greenhouse to the compost, but she had no memory of being outside. The compass, they later learned from the collector, had vanished from his locked cabinet, leaving behind only a pile of soil and a single white root.

A week later, Eleanor and Ruth noticed that the patch of ground where they’d dumped the root was now covered in a strange, pale green plant with bell-shaped flowers. They recognized it as a Lenten Rose, a flower Dr. Finch had been cultivating. They tried to dig it up, but the roots went deeper than they could reach. As they struggled, the soil began to tremble, and a faint hum rose from the earth. That’s when they found the tin box again, but this time it was empty—the journal and compass were gone.

Months later, I visited them. The house felt wrong, the air thick with the scent of damp earth. Eleanor had taken to gardening obsessively, spending hours in the greenhouse, muttering to the plants. Ruth had stopped speaking, communicating only through gestures. On my last night there, I woke to see a shadowy figure in the garden, bending over a patch of Lenten Roses. It straightened and turned—it was Eleanor, but her eyes were black, and her mouth moved as if reciting a litany. She didn’t see me. When I confronted her the next morning, she had no memory of the night, but she smiled and said, ‘The garden is almost ready.’

I left Ashwick that day and never returned. But every year, on the first Saturday of May, I receive a postcard with a picture of a greenhouse, and on the back, in Eleanor’s shaky handwriting: ‘The roots are growing. They remember you.’ I burned the postcards, but the soil in my own backyard has started to sprout pale green shoots. I’ve tried to dig them out, but they always grow back, inching closer to my foundation. And some nights, I swear I hear a faint whisper from the earth, calling my name. I’ve become a believer in things I can’t explain, but I fear it’s too late to stop what I’ve set in motion. The Lenten Rose auction was just the beginning, and the garden is patient.

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