The house at 14 Kilbride Lane sat at the end of a cul-de-sac in a new estate outside Galway, a pebbledash semi with a red door that my parents had painted the week they moved in. It was meant to be a fresh start, but the estate was half-finished, with raw clay mounds and concrete mixers standing like sleeping beasts in the evening fog. I was five months old when we came to live with Gran and my three uncles, and within a week, the house knew my name.
It began with the wardrobe in the back bedroom. My cot was in that room, and Gran would lay me down for naps while the rest of the family gathered in the living room to watch the evening news. But every time my eyelids grew heavy, a sound would start—not a cry, not a laugh, but something in between, a wet, gurgling chuckle that seemed to come from the wardrobe itself. The doors would swing open, and my baby clothes would fly out, landing in a heap on the floorboards. By the time anyone reached me, I would be screaming, my face purple, my tiny fists clenched. They blamed the drafts, the old hinges, my colic. But they knew.
Uncle Darragh was the first to see it. He came home early one Tuesday, his shift at the factory cut short by a power outage. He let himself in through the back door, his boots heavy on the linoleum. The house was quiet, too quiet, and he later said he felt a wrongness in the air, like the static before a storm. He started up the stairs, and halfway, he stopped. On the landing, backlit by the thin light from the bathroom window, stood a shape. It was the size of a large dog, but its back was arched too high, and its head was low, swaying side to side. Darragh saw its eyes—two pinpricks of red, like the ends of cigarettes—and then it moved, not running, but flowing, like oil, down the wall and into the shadows. He turned and ran, not stopping until he was at the pub at the end of the road, his hands shaking around a pint he never touched.
My aunt Orla, Gran’s sister, came to babysit one evening when my parents went to a wedding. She was the one who always said the house had ‘bad bones,’ and she never liked the way the wardrobe doors creaked. That night, she put me in my cot and sat in the armchair by the window, reading a magazine. Around midnight, she heard a scraping on the stairs, like nails on wood, slow and deliberate. She froze, her heart pounding. The sound grew closer, and then it stopped outside the door. The handle turned, a slow, deliberate click, but the door didn’t open. She could see the gap under the door, and in the light from the hallway, something black and formless seeped through, spreading like spilled ink across the carpet. She didn’t wait. She scooped me up, climbed out the window onto the porch roof, and ran barefoot to her own house a few streets away, leaving the front door swinging open.
For months, they tried to ignore it. They blessed the house, had a priest come, but the moment he stepped over the threshold, his Holy Water bottle cracked in his hand. They replaced the wardrobe, but the new one developed the same creaks, and the clothes still ended up on the floor. I started speaking early, but my first word was not ‘mama’ or ‘dada.’ It was ‘still,’ repeated over and over, and I would point at the corner of the ceiling with a smile that made my mother’s blood run cold.
One night, when I was just over a year old, my parents had a fight. My father wanted to leave, to sell the house and run. My mother refused, saying it was just her imagination, that we were safe. They argued in the kitchen, their voices rising, and I was in my cot in the back bedroom. The wardrobe doors creaked open—I could hear it from my cot, the slow, deliberate swing—and then something stepped out. It was not the dog shape my uncle had seen, but a taller, thinner figure, with arms that hung too low and a head that tilted at an unnatural angle. It walked to my cot and leaned over, and I looked up at it with recognition, as if I had been waiting for it. It placed a cold hand over my mouth, and when it spoke, its voice was a dry rustle, like leaves skittering on pavement. It said: ‘You will be my latch.’
When my parents came up, the room was silent. The wardrobe was closed, the clothes folded neatly, and I was lying awake, smiling. But on my chest, there was a small, pale mark, like a fingerprint, that never faded. They sold the house two months later. But you can’t sell what waits in the walls. We moved to a flat in town, but the mark remained, and sometimes, in the dead of night, I would feel a cold draft, and hear the faint, familiar creak of a latch, as if somewhere, a door was opening.
Now I am grown, and I have a child of my own. We live in a new house, a different town. But last night, I heard it: a slow scraping on the stairs, a pause outside my daughter’s room, and the soft, worn click of the latch that never held. I went to the door, my hand on the knob, and I felt it on the other side, waiting. I know what it wants. It wants the next one, the one who will open the door for it. And God help me, I think my daughter already knows its name.