The Amtrak had dropped us in Philadelphia, not D.C., after a snowstorm rerouted our flight from Montreal. So instead of a grand marble vista, our first night in the city was spent at the Hotel Alden, a relic on Market Street, its facade a soot-stained palimpsest of faded grandeur. My parents, Margaret and Harold, and I, Eleanor, had booked a corner suite on the seventh floor, hoping for a view of the river. We got a window that looked out onto a brick wall and a fire escape that clattered in the wind.
The room itself was a time capsule of floral wallpaper and walnut furniture, with a single chandelier that flickered weakly. It smelled of old dust and the ghost of a thousand cigars. We were exhausted, the kind of bone-tired that comes from a day of cancelled trains and airport purgatory. I set my toiletries bag on the narrow bathroom counter, wedging it between the faucet and the rust-stained mirror. My parents took the queen bed; I took the twin by the window, which rattled with each gust.
I lay there, my body aching, but my mind refused to settle. The room was too quiet, save for the drip of the faucet and my father’s rhythmic snoring. I watched the digital clock on the nightstand flip from 11:47 to 11:48, the red digits strobing across my retinas. I must have drifted off, because the next thing I knew, the room was darker, and the clock read 2:13. A pressure, firm and cold, pressed down on my chest, like a heavy weight. It wasn’t painful, just oppressive, making it hard to breathe.
I tried to call out for my mother, “Mom, ” but my voice came out as a whisper, a puff of air that died in the silence. Then I felt something grip my right wrist. It wasn’t a hand; it was more like a strap of cold leather being tightened. It yanked, not violently, but with a stubborn insistence, pulling my arm upward. I resisted, my muscles straining, but the force was relentless. I was being pulled out of the bed. I tried to scream, but my throat was locked.
Just as suddenly, a loud crack from the bathroom broke the spell. The grip vanished, and I fell back onto the mattress with a thud. I lay there, heart pounding, gasping. I sat up and looked over at my parents’ bed. My mother, Margaret, was sitting bolt upright, her silver hair disheveled, staring at the digital clock on the nightstand. Her face was pale, and her eyes were wide.
‘Mom? ‘ I said, my voice finally working.
She didn’t respond. She just kept staring at the clock.
‘Margaret?’ my father muttered, stirring.
Then the bathroom door swung open slowly, creaking on its hinges. The light in the hallway filtered in, casting a long, thin shadow across the carpet. My toiletries bag was on the floor, its contents scattered—toothbrush, shampoo bottles, a hairbrush. The mirror above the sink was cracked, a spiderweb of lines radiating from a single point in the center, as if something had struck it from the inside.
We left the hotel that night, bundling our things and taking the stairs down to the lobby. The night clerk, a gaunt man with a jaundiced complexion, didn’t seem surprised to see us. He just looked at the clock behind him and said, ‘Seventh floor, huh? You get the feeling of being watched? ‘ We didn’t answer. We drove in a rental to a chain motel on the outskirts, where the lights were bright and the walls were thin, and we slept with the lights on.
It wasn’t until the next morning, in the harsh glare of a diner, that my mother told us what she had seen. While I was being pulled, she had heard a voice—not in her ears, but in her head—that said, ‘Don’t look at the clock.’ And as she stared at that red digital readout, it wasn’t showing the time. It was counting down, the numbers descending from thirteen to zero, and when it hit zero, she saw a face in the mirror, a pale, featureless thing with black pits where eyes should be, and it was standing behind me. She turned away, and the face was gone, and the clock read the right time again.
We never talked about it again, and we never returned to Philadelphia. But sometimes, in the dead of night, I wake up and feel a cold pressure on my wrist, and I hear a faint cracking sound, like a mirror being struck. And in the reflection of my own dark window, I see the faint outline of a face, watching, waiting, and I know that we didn’t escape. We just left the hotel for the last time, and it let us go.
Years later, I looked up the Hotel Alden, now demolished. The site is a parking lot. But in an old photograph, I saw the building’s facade, and in the seventh-floor corner window, there was a silhouette—a figure with long hair, hanging oddly, head tilted. I zoomed in, and it wasn’t a person. It was the shadow of something, its arm reaching out, as if trying to touch a face that was just out of frame. I closed the browser and haven’t looked since.
I keep my toiletries bag in a drawer now, unopened. The mirror in that bathroom was never fixed; it was replaced with a plain wooden panel, but I remember the crack, the way it slowly spread over the days before we left, as if something was trying to get out. Or in. The image is burned into my mind, and in my dreams, I still hear the crack, and I see the face, and I wonder if it ever found its way out.
One last thing: the clock on that nightstand didn’t work after that night. It just stayed frozen at 2:13. The new owners threw it away, I’m sure. But I know that at 2:13 in the morning, if you listen carefully, you can hear a faint sound, like a mirror cracking, and if you look into any reflective surface, you might just see a face, waiting for you to make the mistake of looking too long. And when you do, it will see you. And it will remember.
Now, I’ve written this all down, hoping to exorcise it. But as I type, I notice that the screen of my laptop has a faint crack running from the corner to the center, and for a moment, I swear I saw a reflection that wasn’t mine. I’m going to turn off the computer now, and I’m going to sit in the dark, with my back to the mirror, and I’m going to count to thirteen. But I don’t think I’ll make it to zero.