The Last Floorboard

5 min read

Story Premise 5 min read (870 words)

"In the winter of 2019, after my husband’s funeral, I moved into a creaking Victorian house on the edge of a forgotten forest. The house had been in my family for generations, but no one had lived there for decades. The first night, as I lay in the four-poster bed, I felt a pressure on […]"

In the winter of 2019, after my husband’s funeral, I moved into a creaking Victorian house on the edge of a forgotten forest. The house had been in my family for generations, but no one had lived there for decades. The first night, as I lay in the four-poster bed, I felt a pressure on the mattress, a deliberate indentation as if someone sat beside me. I switched on the lamp. Nothing. I told myself it was the house settling, but the weight remained, pressing down on my legs until I finally fell asleep.

My daughter, Clara, came to visit a week later. She slept in the guest room, but in the morning she asked, ‘Mom, were you walking in my room last night?’ I said no. She described a feeling of a cold hand on her ankle, pulling her foot. We laughed nervously, but that night I placed a line of salt across the threshold of both our doors. It was disturbed when I woke, not in a straight line, but smeared as if dragged.

Three months passed. The pressure on my bed became a nightly companion. I started walking in my sleep, finding myself in the attic, standing before a mahogany trunk I had never opened. The trunk was locked, but the key hung on a hook nearby, rusted. One night, I unlocked it. Inside were photographs of my great-aunt Elsbeth, a woman who had been committed to an asylum in the 1950s. The photos showed her in a white dress, her face blank, but in each one there was a dark shape hovering behind her.

My husband, David, had been a skeptic. He never believed in spirits. But a week before he died, he called me into his room, pale and shaking. ‘Something just jumped on the bed,’ he said. ‘It felt like a child, but heavy. It whispered in my ear.’ He tried to laugh it off, but I saw the fear in his eyes. That was the same day I found a small wooden box in our closet, containing a lock of hair and a handwritten note: ‘For those who seek the one that was never born.’

After David died, I threw the box away, but it reappeared on my dresser every morning. It was then that I realized the presence was not malevolent, but desperate. It wanted something from me. It wanted a vessel. I remembered the stories of my great-aunt, how she would walk the halls at night, her hands outstretched, whispering to an invisible child. She was a spiritual predator, but not in the way you think. She was a collector of lost souls, and she had been trying to draw one into her own womb, to give it form.

Now, the same presence in my house was trying to use me. It crept into my bed, not as a lover, but as a parasite. It filled my dreams with images of a baby, its eyes too large, its skin translucent. I woke up pregnant, though I had not been with a man for years. The doctor confirmed, an impossible pregnancy. Clara begged me to move out, but I couldn’t. The house needed me. The unquiet spirit needed me.

On the night of the winter solstice, I went into labor. The pain was excruciating, but no hospital. I felt a cold hand between my legs, and then the child was there, silent, not crying. It looked at me with my own eyes, and I saw my reflection in them, but my reflection had no mouth. I tried to scream, but no sound came. The child grew rapidly, becoming a young man in minutes. He spoke with a voice that was not his own: the voice of my husband, David.

‘I found you,’ he said. ‘I knew you would open the door.’ I realized then that David had been a spiritual predator too, collecting a soul to live again. The presence in the bed was him, waiting for me to be ready to accept his return. But I had not summoned him. I had opened that box. Now he was here, aged, but alive, and the house finally settled, as if its purpose was fulfilled.

David lived with us for a year, but he was not the man I married. He was cold, empty, hungry. He fed on my memories, stealing my joy. One night, I found him standing over Clara’s bed, his hand reaching for her throat. I grabbed the mahogany trunk and slammed it over his head. He turned, and his face was a mask of fury, but then it softened. ‘You were always stronger than me,’ he said, and he crumbled to dust.

I burned the trunk and the box and the lock of hair. But some nights, I still feel a pressure on the bed, as if something is sitting there, waiting. I know now that spirits are not just whispers in the dark. They are the ones we love, twisted by desire, and they will always find a way to come back. The last floorboard in the attic creaks, even when no one walks there, and I no longer trust the quiet.

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