I’d spent my whole life reading about hauntings, scoffing at the stories of ghostly apparitions and spectral whispers. I thought I had all the answers: grief manifested as hallucinations, the mind’s way of coping with loss. But that was before the night my friend Elias Vane died.
Elias was sixteen, just like me, and we’d grown up together on the mainland, but our favorite spot was the abandoned lighthouse on Marrow Island, accessible only by a rickety ferry that ran twice a day. The last time I saw him, I’d been avoiding him. We’d had a stupid fight over a girl, and I’d been too proud to apologize. I thought we’d have more time. Then I got the call from his mother, her voice cracking with tears. He’d drowned, they said, trying to swim to the island during a storm.
The guilt was suffocating. I locked myself in my room, refusing to eat, replaying every harsh word I’d ever said. I couldn’t stop crying because I knew I’d never get a chance to make it right. I’d never get to tell him I was sorry.
It was the third night after his death that it happened. I was lying on my bed, staring at the ceiling, when I felt a pressure on the mattress beside me. A cold, heavy weight that sank the sheets. Then, two arms wrapped around my torso from behind, and a familiar voice, low and hoarse, spoke directly into my ear: ‘You did this to me. You left me. And now I’ll never leave you.’
I bolted upright, but there was no one there. The room was empty, the door closed. Yet the indent on my bed remained, a perfect impression of a body, still slowly rising. My heart pounded. I told myself it was a dream, a hallucination from grief and lack of sleep. But the voice had been as clear as if Elias were right there.
Days passed, but the presence lingered. For the first few weeks, I felt a constant chill, as if a cold shadow followed me. I’d catch glimpses of movement out of the corner of my eye, only to find nothing. I started sleeping with the lights on.
It escalated when I returned to the island. I don’t know why I went; maybe I thought I could apologize at his favorite spot, the cliff where we used to watch the sunset. The ferry was nearly empty, except for an old man who stared at me with rheumy eyes. As the boat chugged across the gray water, I felt a hand on my shoulder. I spun around, but the old man was at the other end, reading a newspaper. The hand felt real, cold, and heavy.
On the island, I climbed to the lighthouse, my breath fogging in the icy air. I reached the top, the wind howling, and I spoke aloud, ‘Elias, I’m so sorry. It was my fault. I should have been there.’
A low laugh echoed from the shadows behind me. ‘Sorry? Sorry won’t bring me back.’
I turned. There, in the corner, stood a figure, not solid, but a shimmer of darkness. It was Elias, but wrong. His eyes were empty, his skin pale as milk, and water dripped from his hair, forming puddles on the stone floor.
‘You left me to die,’ he said, his voice like the grinding of rocks. ‘You hid from me. You wished me gone. And now I’m gone, but I’m always with you.’
I stumbled backward, hitting the railing. ‘I didn’t mean it. I loved you like a brother.’
‘Love?’ He spat the word. ‘Love is nothing. You’ll never escape me, Mark.’
He lunged, and I screamed, throwing my arms up. But he passed through me, and all I felt was a sudden, crushing cold, like being submerged in the ocean. Then he was gone, leaving me trembling on the floor of the lighthouse.
I made it back to the mainland, but things were worse. The cold never left. I couldn’t sleep without seeing his face in the dark. I couldn’t eat without feeling his fingers on my throat. I tried to confess to a priest, but the words turned to ice in my mouth. I tried to move away, but the shadow followed.
Tonight, I sit in my apartment, the lights flickering, and I know he’s here. I can feel his breath on my neck, see his reflection in the window. He says he’ll never leave me, and I believe him. Sometimes, when the silence is too heavy, I hear his voice, and it no longer sounds like anger. It sounds like hunger.
I know now that guilt is not just a feeling; it’s a door. And once you open it, you can never close it. Elias is with me, and he will be until the end of my days. I just hope that when I die, I don’t become like him, trapped between worlds, haunting the living with my own regret.
But I think I might. Because I can feel something growing inside me, something cold and patient, waiting to be unleashed. And the last thought I have before I turn off the lights and let him take me is: I’m sorry, Elias. I’m so sorry.