The Last Bell

5 min read

Story Premise 5 min read (870 words)

"We called it the Sunken Minaret, though its tower still stood. It was a village swallowed not by water, but by silence. Maps had forgotten it, and the new highways curved around it like a river avoiding a curse. I’d heard the stories—fishermen who returned with eyes like dead fish, pearl divers who swore they […]"

We called it the Sunken Minaret, though its tower still stood. It was a village swallowed not by water, but by silence. Maps had forgotten it, and the new highways curved around it like a river avoiding a curse. I’d heard the stories—fishermen who returned with eyes like dead fish, pearl divers who swore they heard a call to prayer from a town that had no living soul. My name is Lena, and I was the skeptic in our group. Amir, my cousin, was the believer. He’d brought a spirit box and a bunch of salt, as if we were in a cheap horror film. Maya just wanted content for her channel. And Ravi, our driver, had been paid double to wait outside the village limits.

We arrived at 2:30 AM, the moon a sliver behind clouds, casting the village in a sickly grey. The air was thick, humid, and smelled of old mud and rotting wood. The houses, built of coral stone and palm fronds, leaned into each other like exhausted old men. A single, crooked minaret stood at the village’s heart, its top lost in the gloom. There were no lights, no sounds except the crunch of our footsteps on the sandy path. Amir was already muttering, his spirit box crackling with static. Maya was filming, her phone’s light sweeping across empty doorways and broken windows.

We started with the main square, where a large, ancient well sat, its stone lip worn smooth. Amir placed his hand on it, feeling something, he said. The hair on my arms stood on end, but I blamed the chill wind. Then we heard it—a faint, metallic clang, like a single bell struck once, then swallowed by the night. It came from the minaret. ‘Probably a loose piece of metal,’ I said, but my voice was thin. Maya’s camera light flickered, and she cursed. ‘Battery’s fine,’ she muttered, shaking it.

We decided to climb the minaret. The spiral staircase was narrow, the steps worn and slick with dust. The air grew colder with each step. At the top, there was a small wooden platform, and a single, rusted bell—the source of the sound. It swung slightly, though there was no wind. ‘See?’ I said, pointing. ‘Just the wind.’ But as I spoke, I noticed the bell’s rope, frayed and old, was taut, as if someone were pulling it from below. I didn’t mention it.

Maya leaned out to film the village from above. ‘Oh my god,’ she whispered. Below, in the square, we saw a procession of figures—slow, shuffling, robed in black. They moved toward the well, each one pausing to bow. There must have been a dozen of them. They made no sound. I couldn’t breathe. ‘Amir, your salt,’ I hissed. He was already throwing a circle of salt around us, chanting verses from the Quran. Ravi had told us he would be in the car, but I saw a light flicker from the direction of the road—his car. They had surrounded it.

The figures stopped at the well, and one turned to look up at us. It had no face—just a smooth, dark void where features should be. It raised a hand, and the bell rang again, this time louder, more insistent. The sound pounded in my skull. In unison, the figures began to climb the stairs. Their footsteps were soft, but the stairs creaked. I could feel my heart in my throat.

We ran. We tripped down the stairs, grasping at walls, not looking back. We burst out of the minaret’s base and sprinted for the car. But the village seemed to twist, the alleys changing, leading us in circles. We passed houses with doors ajar, and inside, I glimpsed shapes—things with too many joints, sitting in the dark, as if waiting. Maya was sobbing. Amir was shouting prayers. I just ran.

Finally, we found the road. Ravi was leaning against the car, staring blankly. The engine was running. We piled in, and Ravi drove off without a word. We didn’t stop until we hit the city lights. We didn’t speak. When we finally checked our phones, Maya’s video was blank—just static. The camera had recorded nothing. But on my phone, I found a voice memo I didn’t remember making. In a whisper, it said, ‘You have disturbed the sleepers. You must return what was taken.’

We had taken nothing. But as the days passed, I felt a presence in my apartment. Shadows would move in the corner of my eye. I heard the bell at night. I started seeing the faceless figures on the street, always at the edge of vision, always following. I called Amir. His phone was disconnected. Maya’s channel was deleted. Ravi moved away. I realized we had brought something back with us, something attached to our souls.

Now, I am writing this in a journal, sitting in my dark living room. The bell is ringing again, closer. There is a sound of footsteps in the hallway, slow and deliberate. They have come. They want what was taken—our peace, our sanity, our lives. And there is nowhere left to run.

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