In the autumn of 1983, my grandmother lived in a faded mustard-yellow house on the edge of Kharagpur, a town that clung to the railway lines like a stubborn burr. The house was a patchwork of corrugated iron and old brick, its roof sloped unevenly, and the veranda sagged under the weight of potted ferns. Across the narrow, unpaved lane stood a bungalow that seemed to absorb the light around it. Its windows were shuttered with rusted iron, and the garden had surrendered to wild lantana bushes that scratched at the walls. It had been empty for years, or so the neighbors believed, until a woman named Mrs. Bannerjee moved in. She was a widow, gaunt and gray, with eyes that never quite met yours. She rarely left the house, except to buy rice and lentils from the corner shop, and she never spoke more than a few words. The children in the lane whispered that she was cursed.
My grandmother, Amma, was a practical woman who did not believe in curses, but she admitted that something was wrong with Mrs. Bannerjee. At first, it was just a faint humming at night, a low, tuneless drone that seeped through the walls. Then, the humming turned into murmuring, a rapid, gibberish patter as if she were arguing with an invisible presence. By the third week, the sounds escalated to full-throated wailing, a sound so raw and broken that it drew the neighborhood to their windows. Amma would press her ear to the wooden door, her face tight with worry. ‘She is possessed,’ the vegetable seller said, clicking his tongue. ‘Born under the shadow of Ketu. The dark planet marks her.’ Amma scoffed, but she started leaving a small oil lamp burning on the windowsill facing the bungalow, a silent plea for protection.
The night the disturbances peaked, the air was thick and still, suffocating with the smell of damp earth. It was November, and the festival of lights had just ended, leaving a film of soot on everything. The moon was a pale sliver, almost invisible. At precisely 2 a.m., a scream tore through the silence—a scream that was not one voice but two, stacked on top of each other, one high and childlike, the other a guttural rasp. The sounds that followed were worse: a wet, choking gurgle, as if someone were drowning in their own throat; a thudding against the walls; and a high-pitched chittering that reminded Amma of the monkeys that raided the temple. The neighbors gathered in the lane, clutching lanterns and iron rods. For the first time, they decided to act. They were ordinary people—a barber, a schoolteacher, a retired railway clerk— but the horror had crossed a line. With trembling hands, the strongest among them, a young man named Subir, lifted the rusted latch of Mrs. Bannerjee’s gate. The hinges shrieked, and the door of the bungalow stood ajar, as if waiting.
They stepped inside, their torches casting long, dancing shadows. The hallway was cluttered with old furniture covered in white sheets, which looked like ghosts themselves. The screaming had ceased, replaced by a profound, heavy silence. Subir held up his lantern, and its flame flickered wildly, as if moved by an unseen breath. The group moved toward the back bedroom, where the sounds had originated. The door was half-open, and through the gap, they saw a sight that froze their blood. Mrs. Bannerjee lay on the floor, motionless, her limbs twisted at unnatural angles. But what made the men stumble backward was the thing hovering above her: a column of black smoke, vaguely human-shaped, with two pinpoints of red light where eyes should be. And yet, the smoke had a double outline, as if two entities were entangled, writhing. The torches began to sputter, one by one, the flames shrinking as if the air was being sucked out. Subir, the bravest, stepped forward, his heart hammering. He spoke the only prayer he knew, a garbled mix of Sanskrit and Bengali, and the smoke recoiled, hissing like a serpent. But then it lunged at him, and he felt a cold hand grip his throat—though he saw nothing. He dropped his lantern, and the glass shattered, the oil spilling. The flames caught the dry floorboards, and in the sudden blaze of light, the black smoke shrieked and dissolved into nothing.
They dragged Mrs. Bannerjee out, her skin cold and damp, her eyes rolled back. The fire consumed the bungalow, and within an hour, only a charred skeleton remained. The villagers stood in the lane, watching the flames dance against the night sky, and for a moment, they thought it was over. But then, the schoolteacher, Mr. Acharjee, pointed a trembling finger at the fire. In the heart of the blaze, the black smoke had coalesced again, but this time, it was not just one shape. It was two—a larger one, and a smaller, childlike one, clinging to it. They rose from the flames, turning in a spiral, and then they shot toward the sky, leaving a trail of soot. No one spoke. They knew, in their bones, that the entity had not been killed; it had simply been released. And they knew that Mrs. Bannerjee, with her cursed birth, had been its vessel.
My grandmother kept the oil lamp burning on the windowsill for the rest of her life, even after the bungalow was demolished and the land lay fallow. She never spoke of that night again, except once, when she told me, ‘The fire did not cleanse it. It just made it hungrier. And maybe, it waits for the next one born under that star.’ I learned later that Mrs. Bannerjee had a daughter who died years ago, a girl named Meera, born with the same malformed star in her horoscope. The possession, they said, had not been a single entity, but two: a mother and her child, trapped in a cycle of rage and sorrow. I never saw the black smoke, but some nights, when the wind blows through the empty lot, I swear I hear two voices—one high, one low—whispering my name. And I wonder if the lantern is the only thing keeping them at bay.