The Lantern of the Hollow Field

6 min read

Story Premise 6 min read (1,183 words)

"In the autumn of 2019, I traveled with my mother and my aunt Priya to my grandmother’s old farmhouse in the remote village of Kothari, nestled at the edge of a dense, misty forest. My grandmother had recently passed, and we were there to sort through her belongings before the property was sold. The farmhouse […]"

In the autumn of 2019, I traveled with my mother and my aunt Priya to my grandmother’s old farmhouse in the remote village of Kothari, nestled at the edge of a dense, misty forest. My grandmother had recently passed, and we were there to sort through her belongings before the property was sold. The farmhouse was a crumbling structure with creaking wooden floors and windows that rattled with the wind, surrounded by acres of fallow fields that had not been tilled in years. My mother and aunt grew up here, and they spoke of the place with a mixture of nostalgia and unease, especially about the hollow field beyond the back garden, where a lone, ancient banyan tree stood, its branches drooping like tired arms.

On the second night, after a long day of clearing dusty trunks and moth-eaten blankets, we retired to our rooms. My mother and aunt shared the large bedroom on the second floor, while I took a smaller room adjacent. The wind howled outside, and the house settled with mysterious groans. I couldn’t sleep, so I lay awake, staring at the ceiling. Around two in the morning, a sharp, persistent barking erupted from the kennel near the back door. It was our dog, Bruno, a German Shepherd we had left with my grandmother’s neighbor, old Mr. Deshpande, when we arrived, but he had somehow escaped and come to us. His barks were not the usual alert but a frantic, terrified yelping, as if he sensed a predator.

I got up and went to the window that faced the hollow field. The moon was hidden behind thick clouds, and the field was pitch black, but I could make out something—three figures standing just beyond the fence, silhouetted against the faint glow of the horizon. They were tall, unnaturally still, and seemed to be facing the house. My breath caught in my throat. I heard my mother’s and aunt’s footsteps in the hallway, and they burst into my room, eyes wide.

‘Do you see them?’ my mother whispered, her hand trembling. I nodded. ‘Those are not dacoits,’ my aunt said, her voice shaking. ‘I’ve seen them before, when I was a girl. They come every few years, when the moon is new. They want something.’

As we watched, the figures began to move, slowly, their limbs contorting in impossible ways, as if their joints were double-jointed. They started to advance toward the house, and the dog’s barking became more frantic, almost a howl. Then, a low, guttural laughter echoed across the field, seeming to come from all directions. It was not human; it was a sound that vibrated in our bones, and it was accompanied by a foul, sweet stench like rotting flowers. My aunt turned to us, her face pale. ‘They are not human. They are the Hollow Ones. The land remembers what we did.’

My mother grabbed my arm. ‘We need to block the doors and windows. Quickly!’ We rushed downstairs, our hearts pounding. We checked all the doors and windows, but the laughter and whispering seemed to pierce through the walls. As we reached the living room, we saw through the front window that the figures were now just a few yards away. They had no faces, just smooth, pale skin where features should be, and their hands were elongated, with fingers like spider legs. They were singing a soft, melodic tune that was both beautiful and horrifying, and it seemed to pull at our minds, making us want to open the door.

I clutched my mother’s hand, and my aunt began to chant something in a language I didn’t understand, an old village dialect. She took a lantern from the mantlepiece—a brass, old-fashioned one that my grandmother had always kept lit, even during the day. She lit it, and the flame burned with a blue light, unlike a normal flame. ‘This lantern was blessed by the village sage,’ my aunt said. ‘It keeps them at bay. As long as it burns, they cannot enter. But if the flame goes out…’

The three figures stopped at the threshold, their featureless heads tilted as if studying the house. The whispering grew louder, forming words that clawed at our sanity. ‘Let us in, Priya. We have been waiting since 1947. You owe us.’ My aunt’s face contorted with grief and guilt. She turned to my mother. ‘She was right. It was never meant to be. That’s why I came back. I need to end this.’

I stared at both of them, confused and terrified. My mother explained: In 1947, during the partition, my great-grandmother, a young widow, hid a family of four in the hollow field beneath the banyan tree, to protect them from the riots. But she was discovered by a mob, and in fear, she set fire to the field to create a distraction, not realizing the hidden family could not escape. They perished in that fire, and their spirits have haunted the land ever since, seeking justice for that betrayal. My aunt had seen them as a child and had always felt guilty, as she was the one who had unknowingly led the mob to the hiding spot by dropping a kerchief.

As the story unfolded, the Hollow Ones pressed against the window, their hands leaving wet, dark marks on the glass. The lantern flickered, its blue flame wavering. My aunt made a decision. ‘I must go out there. They want me. I will offer myself in exchange for peace for this family and for the souls of the innocent.’ My mother cried, ‘No, Priya!’ But my aunt was resolute. She took the lantern and opened the door, stepping into the night.

We watched from the window, frozen, as she approached the three figures. They stopped their assault and turned to face her. She held the lantern high, its blue glow casting eerie shadows. She spoke in the old tongue, and the figures seemed to listen. Then she placed the lantern on the ground and knelt. The Three Hollow Ones reached out their spindly hands, and their fingers touched her head. A blinding flash of blue-white light erupted, and when our eyes adjusted, my aunt and the figures were gone. The lantern lay on the ground, its flame extinguished, but the field was silent. The dog stopped barking and whined.

We rushed out, but there was no sign of my aunt, not even footprints. The banyan tree stood alone, its leaves rustling as if whispering. We searched for days, but she had vanished without a trace. The police suspected foul play, but we knew the truth. The hollow field had finally claimed its due, and the spirits were at peace. To this day, I cannot forget the image of my aunt kneeling before the faceless entities, holding the lantern of our ancestors. And whenever I return to Kothari, I light a lantern in her memory, and I always set it in the window facing the hollow field, hoping that the blue flame will never go out again.

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