My name is Elias, and I’m a 21-year-old night auditor at the Grand Meridian Hotel, a sprawling, decaying relic from the 1920s. The job is mostly quiet, except for the occasional drunk guest or the unsettling creaks and groans of the old building. After the incident with the black demon at my apartment, I moved here, into the hotel’s staff quarters, a cramped room on the top floor. I thought a change of scenery would help, but it didn’t. The fear followed.
A week into my new job, I started using a small, brass oil lamp that I’d found in the basement. It cast a warm, honeyed glow that pushed back the shadows, but it also made the corners dance with phantoms. I’d sleep with it burning low, its tiny flame a stubborn sentinel against the dark. It was on a night like that, with the lamp flickering and the hotel groaning around me, that the second major experience occurred.
I woke to the familiar weight of sleep paralysis, my limbs leaden and useless. I was lying on my side, facing the room, and the lamp was on the nightstand beside me. Across from me, on the other side of the room, was my colleague, an elderly porter named Mr. Ashworth, who had taken a room next to mine. He was asleep, his rhythmic breathing a soft counterpoint to the thrum of the old pipes.
Between our two beds, in the narrow aisle of scratched linoleum, stood three figures. They were short, barely reaching my waist, each cloaked in a rough-spun habit the color of dried earth. Hoods obscured their faces, leaving only dark voids. I knew they were not human, not in the way I understood it. They didn’t move, just stood there in a silent, patient triangle, as if waiting for something.
I couldn’t move. I couldn’t speak. All I could do was stare, my heart hammering against my ribs like a trapped bird. The lamp’s flame danced, casting their shadows long and grotesque across the peeling wallpaper. They seemed to absorb the light, to be more solid than the objects around them.
One of them slowly raised a hand, its fingers long and bone-white, and pointed at my chest. A wave of cold, heavier than ice, washed over me. I felt a pressure, like something was sitting on my sternum, stealing my breath. In the dim light, I could see the creature’s hand was not flesh, but a lattice of blackened bone, wrapped in sinew.
Their heads tilted in unison, as if communicating without words. Then, one by one, they faded, dissolving into the shadows like smoke. The weight lifted, and I could breathe again. My body surged with adrenaline, and I sat up, gasping. The lamp flickered, then steadied. The room was empty.
I didn’t sleep for the rest of the night. I sat in the armchair, the lamp close, staring at the spot where they had stood. I tried to rationalize it, to convince myself it was a nightmare, but the cold had left an ache in my bones that lingered until dawn.
The next day, I questioned Mr. Ashworth about the hotel’s history. He told me that the hotel was built on the site of an old orphanage that had burned down in the 1920s. Many children had perished, and their bodies were never recovered. He said that sometimes, the staff claimed to see small, hooded figures in the corridors, especially near the children’s wing. He thought it was just superstition, but I knew better.
That night, I kept the lamp burning even brighter, but it didn’t help. As I lay in bed, trying to keep my eyes open, I heard a faint, high-pitched humming, like a distant hymn. The lamp’s flame began to sputter, and the shadows grew long, reaching across the floor like gaunt fingers. I knew they were coming back.
I squeezed my eyes shut, praying for morning, but I could feel the cold settle around me. When I opened my eyes, they were there again, closer this time, their hoods tilted at an impossible angle. The one in front reached out with its hand, and as it touched my forehead, I felt a searing pain, as if it were carving something into my skin.
I screamed, but no sound came out. The world swam, and I saw visions of children in ash-stained clothes, huddled together, crying. I saw the flames, the collapsing roof, and then, growing from the ruin, three figures rising from the embers. They were not benevolent spirits; they were hungry, angry, and they had attached themselves to me.
When I woke, the lamp had gone out, and I was alone. My forehead was unmarked, but I knew they had left something inside me. Every night since, I feel them lurking just beyond the edge of my sight, waiting. I no longer use the lamp, for I fear the light only angers them. But in the dark, the cold returns, and I hear the faint sound of children’s whispers, promising that they will never let me go.