The Lantern Keeper

5 min read

Story Premise 5 min read (914 words)

"In the autumn of 2017, my husband Alex and I moved into a century-old farmhouse on the outskirts of a small town called Millbrook. The house came with a sprawling backyard that ended at the edge of a dense, ancient wood. We loved the seclusion, and on clear nights, the full moon bathed the property […]"

In the autumn of 2017, my husband Alex and I moved into a century-old farmhouse on the outskirts of a small town called Millbrook. The house came with a sprawling backyard that ended at the edge of a dense, ancient wood. We loved the seclusion, and on clear nights, the full moon bathed the property in silver light.

One evening in early October, we decided to break in our new fire pit that Alex had bought for my birthday. The air was crisp, with the faint smell of woodsmoke from distant chimneys. We gathered dry branches and kindling, and soon a crackling fire danced in the stone ring. I had my phone in my pocket, as always, eager to capture the flames against the darkening sky.

I snapped a few pictures of the fire, the moon, and the trees at the edge of the yard. Later, while scrolling through the photos, I froze on one image. Behind the fire, near the rusty wrought-iron bench we had placed under an old oak, there was a faint, translucent figure. It appeared to be a small child, no more than six or seven, wearing old-fashioned overalls and a flannel shirt. His head was turned slightly, as if looking back over his shoulder into the woods, and his form was outlined by a pale, eerie glow that seemed independent of the firelight. He was not from our time.

Alex, a lifelong skeptic, scoffed when I showed him. ‘Pareidolia,’ he said. ‘Your mind is playing tricks.’ But as he studied the photo, his expression changed. He squinted, tilted the phone, and then his jaw tightened. ‘That’s… odd,’ he whispered. He didn’t bring it up again, but I caught him staring at the spot where the boy stood.

A few weeks later, I mentioned the photo to a friend who dabbled in the occult. She insisted on visiting, and one evening she stood in the exact spot where the boy appeared. With her eyes closed, she murmured, ‘There are three of them. Two children, and an older man, maybe a groundskeeper. They’re watching the fire, but they’re waiting for something.’ She opened her eyes and looked at me with a mix of pity and fear. ‘They’ve been here longer than the house. They’re tied to the land, to the old lantern that used to hang from that branch.’ She pointed to a bare, twisted limb that hung over the bench.

That night, while Alex was away on a business trip, I decided to investigate. I took a flashlight and walked to the edge of the woods, where the old lantern hung, rusted and broken. As I approached, the air grew colder, and the hairs on my arms stood up. I heard a faint sound, like a child humming a tune I didn’t recognize. I spun around, but the yard was empty. The fire pit was still smoldering, casting long shadows. And then I saw them.

Out of the corner of my eye, three figures emerged from the treeline. A man in a battered hat and overalls, holding a lantern that emitted a sickly green light, and two children—the boy from the photo and a girl with plaited hair. They moved slowly, as if wading through water, and their eyes were fixed on me. The man raised his lantern, and the light swept across the yard, illuminating the fire pit. In that moment, I felt a pull, a strange longing to walk toward them.

I forced myself to look away, and when I looked back, they were gone. But the humming continued, now coming from behind me. I spun and found the child standing just a few feet away, his head cocked. His mouth was moving, but no sound came out. He pointed at the fire pit, then at the woods, then back at me. It was as if he wanted me to follow.

I ran into the house and locked every door. I didn’t sleep that night. I called Alex and told him everything, my voice shaking. He listened without interruption, then said, ‘I believe you. I saw it too, in more pictures. I didn’t want to scare you.’ He returned home the next day, and we decided to research the property’s history. In the county archives, we found a newspaper article from 1923: a family of three—a groundsman and his two children—had gone missing during a hunting trip. Their bodies were never found, but a lantern was discovered hanging from a tree, still lit the following morning.

The article mentioned that the man had been known to light a bonfire every full moon, a ritual he claimed kept the spirits at bay. But on that fateful night, he had gone into the woods to gather more wood and never came back. His children were found dead the next day, huddled by the cold fire, their faces frozen in terror.

Since then, on every full moon, we’ve kept a fire burning in our pit. We never look directly at the figures that sometimes appear at the edge of the woods. We have an unspoken agreement: we stay near the fire, and they stay in the dark. But last night, as I was locking up, I found the old lantern on our doorstep, freshly lit, its glass glowing with a warm, inviting light. And in the reflection, I saw the child’s face, smiling, his head turned slightly, as if to say, ‘Thank you.’

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