I was seven when my grandmother died, and my family inherited her old farmhouse in the middle of nowhere. The house was a relic, with warped floorboards and a furnace that groaned like a dying animal. My parents hoped the move would give us a fresh start, but the place felt wrong from the first night. I remember lying in my narrow bed, staring at the cracked ceiling, listening to the wind whistle through the gaps in the windows. My brother, Theo, was in the room next to mine, and my parents were down the hall. The house was quiet, too quiet, as if it were holding its breath.
One night, I woke up to a sound like a needle scraping against glass. My eyes flew open, but I couldn’t move. My limbs were lead, my tongue frozen. I was on my back, staring at the ceiling, and out of the corner of my eye I could see the door to my room was ajar. Beyond it, the hallway was pitch black. I tried to call out, but no sound came. I felt a cold draft wrap around me, and the faint smell of rust and old pennies filled my nose.
Then I saw her. A figure emerged from the darkness of the hallway, gliding silently into my room. She was tall, thin, and her skin was the color of tarnished silver. Her hair hung in matted strands, and her eyes were empty sockets. She wore a long, tattered dress that seemed to absorb the light. She stood at the foot of my bed, her head tilted, as if studying me. I wanted to scream, but I couldn’t. She raised a long, skeletal hand and pointed at me, her mouth opening into a silent wail. Then she leaned forward, and her face was inches from mine. I could see the rust flakes on her cheeks, and the smell of iron was overwhelming. She whispered, ‘You will be my new husband.’ And then everything went black.
I woke up the next morning in a cold sweat. I told my parents, but they dismissed it as a nightmare. Theo laughed, saying I had too much cheese before bed. But I couldn’t shake it. The image of that woman, the smell of rust, the words she spoke. I started doing research in the town library, and I found a local legend. A hundred years ago, a woman named Agnes Marrow lived in our farmhouse. She was an outcast, accused of witchcraft, and the townspeople had buried her alive in the iron mines outside town. They said she cursed the land, vowing to return and take a husband to the grave with her.
Months passed, and the occurrences grew worse. Every night at 3:07 AM, I would wake up paralyzed, and the woman would be there, standing in the corner of my room, watching me. She would whisper things, promises of eternal love, threats of eternal torment. I tried sleeping with the lights on, drinking coffee, anything to stay awake. But it didn’t matter. One night, I saw her in the hallway, and she was dragging something behind her – a shape that looked like a man, made of iron and rust. She pointed at me and said, ‘Your predecessor is ready for you.’
I knew I had to do something. I found the old iron mine entrance, half-collapsed and overgrown. I took a flashlight and crawled inside. The air was thick with dust and the smell of decay. Deep within, I found a chamber with a makeshift altar. On it were rusted shackles and a tarnished wedding ring. I realized the legend was true, and that I was next. Desperate, I grabbed the ring and slipped it on my finger. The metal was cold and biting. The ground shook, and I heard a terrible screech. The woman appeared, her face twisted with rage. She lunged at me, but the ring glowed, and she was repelled. She howled, ‘You have bound yourself to me, but I will take you in the end.’ She vanished, and I stumbled out of the mine, gasping for air.
Now, I wear the ring always. The paralysis no longer happens at night, but I feel her presence. I hear faint whispers in the wind, and sometimes I catch a glimpse of her in reflective surfaces. The ring is cold against my skin, and it has started to rust. I know it’s only a matter of time before she comes for me. But I have an idea. I’ve started digging under the floorboards of my room, trying to find a way to break the curse. I’ve read that the ring can be destroyed in the furnace, but I’m afraid of what might happen if I do. For now, I wait, and I write this down, hoping someone will find it. But as I write, I see in the reflection of my window that she is standing behind me, her rusted hands reaching for my shoulders. Her voice echoes in the room: ‘It is time.’