I started as a night orderly at Mercy Ridge General, a crumbling relic of a hospital perched on a hill above the town of Hollow Creek. The building had been a sanatorium for tuberculosis patients in the 1920s, then a mental asylum, and finally a general hospital. The locals whispered that it was cursed, but I needed the money, and the night shift paid double.
My first week was uneventful, save for the odd creaks and groans of an old building settling. But by the second week, I began to notice things. The iron stairwell in the east wing, the one sealed off with a rusted chain and a ‘Do Not Enter’ sign, was always cold. Not drafty cold, but a deep, biting chill that seemed to seep through my scrubs. And on the third floor, near the old solarium, the elevator would sometimes open on its own, even when no one pressed the button.
The nurses laughed off my nervousness, saying the place was just old and full of drafts. But then I met Elsie, a geriatric patient in room 312. She was a tiny, bird-like woman with cloudy eyes, but her mind was sharp. She grabbed my wrist as I checked her vitals and whispered, ‘You hear them, don’t you? The ones in the walls.’ I shook my head, but she insisted, ‘They’ve been here since the sanatorium. They didn’t die quiet, you know. They called out for their mothers, but no one came. Now they need someone to hear them.’
I tried to dismiss her as a confused old lady, but that night, as I patrolled the empty corridors, I heard it. A faint scratching, like fingernails on concrete, coming from the sealed stairwell. I pressed my ear to the cold metal door and listened. It was a rhythmic, desperate scratching, accompanied by a low, guttural moan. I stumbled back, my heart pounding. The chain rattled, and I swear I saw the door move inward, just a fraction.
The next night, I decided to investigate. I brought a flashlight and a crowbar, and despite every instinct screaming at me to stay away, I pried the chain loose and pushed the door open. The stairwell was dark and dank, the air thick with the smell of rot and antiseptic. My flashlight beam cut through the gloom, revealing cracked tiles and peeling paint. The stairs spiraled down into darkness. As I descended, the temperature plummeted, and my breath frosted in the air.
At the bottom, there was a basement level not on any of the hospital maps. The walls were lined with rusted pipes, and there were rows of old iron beds, their mattresses stained and decayed. In the corner, I saw a wheelchair, and in it, a figure. It was a man in a tattered hospital gown, his skin gray and papery, his eyes milky white. He turned to me and opened his mouth, but instead of words, a high-pitched keening wail escaped, a sound of pure agony that vibrated through my skull. I turned to run, but the door behind me slammed shut, and I was plunged into darkness.
I fumbled for my flashlight, but it had shattered in my fall. I was blind, disoriented, and then I heard the scratching again, but this time it was all around me. Hundreds of tiny hands scraping against the walls, the floor, the ceiling. I dropped to my knees, covering my ears, but the sound seemed to come from inside my head. And then, in the darkness, a voice spoke. It wasn’t human; it was a chorus of whispers, overlapping and dissonant. ‘You shouldn’t have come. Now you’ll join us.’
I don’t know how long I lay there, shivering, in that pitch-black pit. Eventually, the maintenance crew found me curled in a ball near the bottom of the stairs, my clothes frozen stiff. They had no explanation for how I got there, and the stairwell door was once again chained shut, as it had been for years. I quit the next day, and I never went back to that hospital. But even now, months later, I still hear that eerie scratching sound at night, just on the other side of my bedroom wall. I know that whatever I encountered that night in the iron stairwell is not done with me. It’s just waiting, patient as the dead, for me to come back and complete the descent.