The Indelible Stain

5 min read

Story Premise 5 min read (971 words)

"The year I turned eleven, we moved into my great-uncle’s farmhouse, a sprawling, dilapidated structure that smelled of old wood and damp earth. My brother, Leo, and I were promised a room each, a luxury after sharing a cramped apartment in the city. The house was isolated, surrounded by acres of overgrown fields and a […]"

The year I turned eleven, we moved into my great-uncle’s farmhouse, a sprawling, dilapidated structure that smelled of old wood and damp earth. My brother, Leo, and I were promised a room each, a luxury after sharing a cramped apartment in the city. The house was isolated, surrounded by acres of overgrown fields and a forest that seemed to swallow the light. I hated it immediately. The silence was too heavy, the shadows too long, and there was a constant, faint scratching sound from within the walls, like something trying to get out.

My birthday fell in September, a month after we arrived. My mother, eager to make the new place feel like home, allowed me to invite my only friend, Maya, for a sleepover. We spent the evening exploring the attic, where we found an old trunk filled with faded photographs and a child’s drawing of a family, all with their eyes scratched out. Maya laughed, but I felt a cold dread settle in my stomach. That night, we camped out in the living room with sleeping bags and a portable TV, the only light source in the room. We fell asleep to static.

At 3:47 AM, I was jolted awake by Maya’s sharp intake of breath. She was sitting upright, her face pale as the moon, staring at the far wall. I followed her gaze. There, where the wallpaper was peeling, stood a figure. It was not a person, but a stain, a dark, wet-looking patch that seemed to have depth, like a doorway into nothingness. It had no features, just a vague humanoid shape, and it was leaning slightly forward, as if observing us. I blinked, and it was gone. I turned to Maya, my heart pounding. ‘Did you see that?’ I whispered. She nodded, trembling. The air grew cold, and the static on the TV grew louder, then cut out completely.

We ran to my parents’ room, but they dismissed it as a trick of the light. My father laughed, ‘You girls are just spooked by this old place. Go back to sleep.’ I tried to believe him, but I knew what I saw. And Maya confirmed it. That was enough.

A month later, the nightmares began. I dreamt of a well in the middle of the forest, its water black and oily. A voice called my name, soft and coaxing, and when I looked into the well, I saw my own reflection, but my face was melting, skin dripping away like thick paint. I would wake up screaming, drenched in sweat. Leo started complaining of a constant whispering in his room, a sound like leaves rustling, but there were no leaves inside. My mother grew thin, her eyes hollow, as she claimed she saw a shadowy figure following her in the hallways.

One night, I woke to find myself standing in the kitchen, holding a butcher knife. I had no memory of getting up. The knife trembled in my hand, and on the wall before me, drawn in what looked like dried blood, was a crude drawing of a family, all with their eyes scratched out. I dropped the knife and screamed. My father rushed in, and as he saw the drawing, his face went ashen. He didn’t say anything, but he dragged me out of the kitchen and made me swear not to tell anyone. ‘It’s just old paint,’ he said, but his hands were shaking.

I started to investigate. I found a diary in the attic, hidden beneath a loose floorboard. It belonged to a girl named Clara, who had lived in the house decades ago. Her entries spoke of a ‘visitor’ that came at night, a tall dark figure that stood by her bed. She wrote that it was growing stronger, that it fed on fear. The last entry was dated the day she disappeared. It said, ‘It wants to be seen. Once you see it, it can never leave.’ I closed the diary, my hands numb.

That night, I decided to confront it. I stayed awake, watching the wall. At 3:47 AM, the stain appeared, darker than before, and it started to move. Not walking, but oozing, like thick ink, slowly creeping down the wall and onto the floor. I didn’t run. I stared at it, and I saw it now had a face. Not human, but a void, and within that void, I saw my own reflection, but my eyes were gone, replaced by black holes. It spoke, not in words, but in a voice that resonated in my bones. ‘You see me now. We are one.’

I woke up in my bed, but I was different. I could see things I shouldn’t see. I could see the stains of previous victims on the walls, their silent screams frozen in the paint. I could see my family, but they were like shadows, flickering. And I could see the stain, now permanent on my arm, a dark mark that I could not wash off. Leo ran into my room, his face pale. He said, ‘I had a nightmare. There was a woman in a well, and she said she was coming through you.’ I looked at my arm, and the stain was spreading, slowly, like a growing patch of mold.

Now, I sit on my bed, watching the stain grow, waiting for it to cover me entirely. I hear my family’s voices, but they are distant, as if from another room. The house feels quieter, emptier, and I know that soon, I will become just another shape on the wall, waiting for the next child to see me. I can only hope that when they do, they will be smarter than me, and they will run before it’s too late. But I know they won’t. They never do.

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