December in the Karelian wilderness is a different kind of cold. It’s not the crisp, invigorating bite of a mountain morning, but a deep, ancient chill that seeps into your bones and settles there. I had come to this remote village, tucked between a frozen lake and a wall of pine forest, to spend the holidays with my girlfriend, Anja, and her family. The nearest town was a three-hour drive over snow-choked roads, and the only connection to the outside world was a crackling landline that worked when the wind blew the right way.
Anja’s grandmother, Ulla, was a formidable woman with eyes the color of the winter sky and a face carved by decades of hard living. She spoke little, but her presence filled the small wooden house with an unspoken authority. The house itself was a maze of low-ceilinged rooms, heated by a single wood-burning stove that we fed constantly. The walls were lined with faded photographs, icons, and strange, dried herbs that rustled when the draft moved through them.
We arrived on the eve of the ‘Novy God’, the New Year, which here was more important than Christmas. Ulla had prepared a feast: pickled herring, salted mushrooms, a steaming pot of borscht, and a roast that seemed to have no end. I ate until I thought I would burst, and Anja laughed at my enthusiasm, her dark braids swinging. It was easy to feel the supposed warmth of the season, even as the temperature outside dropped to minus thirty.
The next day, Ulla announced that we would go to the forest to cut a ‘Novoletnyaya Yolka’, the New Year tree. She insisted that it must be a certain kind of spruce, one that grew near the frozen bog at the heart of the woods. ‘The ones that grow on the edge of the bog,’ she said, her voice low, ‘they have the true spirit. They remember the old songs.’ Anja rolled her eyes, but I was intrigued. We bundled up in furs and thick wool, took a hand-drawn sled, and trudged into the silent forest.
The trees were covered in a thick layer of frost, and every step made a sharp crunch. After about an hour, we reached the bog, a vast expanse of white that seemed to glow with its own eerie light. Ulla walked to a small, gnarled spruce that stood alone, its branches twisted as if in silent agony. She knelt, muttered something under her breath, and made a small cut in the trunk with a curved knife. ‘Now we ask permission,’ she said, and I noticed a tremor in her usually steady voice. ‘We give thanks, and we take only what is offered.’
As we hauled the tree back, I felt a creeping sensation along my spine, like eyes watching from the dense pines. I dismissed it as the cold, but when we got back to the house, I found that my breath had left a permanent frost pattern on the inside of my scarf, shaped like a pair of large, staring eyes. I didn’t tell Anja.
The evening of Novy God arrived, and we decorated the tree with hand-carved ornaments, strings of cranberries, and small, beeswax candles. Ulla lit them, and the room flickered with a soft, warm glow. We sat down to a second feast, and everything seemed perfect. But then, Ulla took down an old, leather-bound book from the top of the stove, its pages yellowed and brittle. ‘This was my grandmother’s,’ she said. ‘It tells of the Old Ways, before the Church, before the modern world. We must not forget, or the Nav will come.’
I asked what the Nav was. Ulla’s eyes grew distant. ‘The spirits of the dead who were not properly laid to rest. The restless ones. On the longest night, they walk. And they look for the living who have forgotten them. If you do not show them respect, they will take you with them.’ I tried to laugh it off, but Anja seemed uncomfortable, and she quickly changed the subject.
Later, after Ulla had gone to bed, I opened the book. The pages were filled with strange symbols and drawings of creatures half-human, half-animal. One illustration caught my eye: a tall, gaunt figure with antlers, its face a hollow mask. In the corner, written in a shaky hand, were the words: ‘The Winter Guest returns when the ice sings.’ I closed the book, my heart thumping.
That night, I woke to a sound like a low, mournful hum. At first, I thought it was the wind, but it was too melodic, too deliberate. I got up and looked out the window. The moon was full, casting a silver-blue light across the snowy yard. And there, at the edge of the forest, stood a tall figure, antlers branching from its head, staring straight at the house. My breath caught in my throat. I blinked, and it was gone.
I didn’t sleep again. The next morning, I told Anja, and she grew pale. ‘I know what that is,’ she whispered. ‘It’s the Kari, the Spirit of the Winter Forest. My grandmother says it appears when someone among us has done wrong, or when the balance is upset. It has not come for many years.’ I asked what it wanted. She shook her head. ‘It will take something. A soul, a memory, or something more precious. We must be careful.’
The day passed in a haze of quiet tension. Ulla seemed to know that something was wrong, but she said nothing. In the evening, as we were about to eat, a sound came from the direction of the bog—a sharp crack, like breaking ice, followed by a series of high-pitched yelps. Ulla’s face went white. ‘The ice. It’s singing,’ she said. ‘We must go, now.’
We grabbed our coats and lamps, and ran out into the night. The cold was brutal, biting into our exposed skin. We followed the sound to the edge of the bog. The ice was glowing with a faint, phosphorescent light, and we could see cracks radiating from the center, like a spider’s web. And in the middle, something was moving.
We got closer, and I saw it: a small, white rabbit, caught in a crack, its leg twisted. It was making those yelps. Ulla knelt by it, gently freeing it, speaking soft words. But as she lifted it, the ice beneath her cracked further, and the water beneath surged up, black and hungry. I grabbed her arm, pulling her back just in time. But the rabbit, freed, dashed away, vanishing into the darkness.
Ulla looked at me, her eyes filled with a strange mix of relief and dread. ‘I thought it had taken him, my grandson, many years ago. He went to the bog, and never came back. We searched, but we never found him. The ice took him.’ She stood up, brushing off the snow. ‘But the Kari does not give back what it takes. It only takes something else to balance the loss.’
We returned to the house in silence. I couldn’t shake the feeling that we had narrowly escaped something terrible. That night, I couldn’t sleep. I sat by the stove, watching the flames, and I heard the hum again, but this time it was closer, coming from outside the window. I didn’t look. I was too afraid of what I might see.
The next morning, Ulla was gone. Her bed was cold, and her boots were missing. We searched the house, then the yard, then the edge of the forest. We found her tracks leading to the bog, but they stopped at a patch of open water, frozen over with a thin sheet of clear ice. Beneath it, we could see her face, serene, as if she were sleeping. But she was underneath the ice, motionless.
Anja screamed, and we tried everything, but the ice was too thick to break, and we had no tools. We ran back to the village, but by the time we returned with help, the sun had set, and the bog was a solid white expanse, with no sign of any break or any body. It was as if the earth had swallowed her.
We left the village the next day, after a hurried ceremony with the local priest. He said words in a language I didn’t understand, and as we pulled away in the car, I saw the tall figure with antlers standing at the edge of the forest, watching us. And I knew that it had taken its due.
Months later, in the city, I received a package with no return address. Inside was the old leather book, and a note in shaky handwriting: ‘The balance is restored. But the Winter Guest remembers your kindness. Do not forget the forest.’ I opened the book, and on the last page, I found a drawing of a small house by a frozen bog, and in the window, a woman with eyes like the winter sky, watching. And for a moment, I could swear I saw her smile.
Now, every year at Novy God, I light a single candle and set it on the windowsill. I don’t know if it helps, but it feels right. And I never, ever go near a frozen bog, especially when I hear the ice begin to sing.