The rain came down in sheets, turning the gravel road into a muddy slurry. My friend Cole had been talking about this place for weeks, a derelict mansion perched on a bluff overlooking the dying town of Marrow. It was an old hospital, converted into a private residence decades ago, then abandoned after the owner vanished. Cole claimed he’d been there once with a buddy, and the place was a time capsule.
We parked at the base of the hill and walked up, our flashlights cutting through the thick fog that rolled off the river. The house loomed above us, a skeletal silhouette against the bruised sky. It was a sprawling Victorian with a sagging porch, broken windows, and a tower that seemed to lean dangerously. The air smelled of wet rot and something else, something metallic and sweet.
The front door was ajar, and we slipped inside. Dust coated every surface, and the furniture was draped in sheets. Cole led me through the ground floor, his voice low. ‘The kitchen’s still stocked,’ he said, opening a pantry to reveal rows of cans, some from the 1950s. ‘The owner left everything when he died, or disappeared, no one knows.’
We passed a dining room with a chandelier wrapped in cobwebs, then a parlor with a grand piano. On the mantel, a clock was frozen at 3:07. ‘Freaky,’ I muttered.
Cole grinned. ‘Wait till you see the basement.’ He opened a door under the stairs and revealed a narrow staircase descending into darkness. The air grew cold and musty. At the bottom, a single hanging bulb cast a sickly yellow glow over the room.
The basement was vast, filled with gray metal filing cabinets. On a table lay dusty medical journals, their pages brittle. In the corner, a rusty furnace loomed, its pipe connecting to an odd, metal box with dials and gauges. It looked more like an old sterilization unit you’d find in a hospital. ‘The infirmary,’ Cole said. ‘The owner was a doctor.’
But what really caught my attention were two rectangular holes in the wall, parallel and about the size of a person. They were covered with a thin layer of plaster that had crumbled, revealing dark voids behind. ‘What are those?’ I asked.
Cole shrugged. ‘No idea. We tried to look inside but it’s pitch black. Maybe old ventilation shafts.’
I stepped closer. The holes were smooth at the edges, like they’d been cut. A faint draft oozed out, carrying a sour, coppery smell. My heart thudded. ‘Let’s get out of here,’ I said.
Cole laughed. ‘Chicken? We haven’t seen the attic yet.’
A floorboard creaked above us. We froze.
We waited a minute. ‘Probably an animal,’ Cole said, but his voice was tight. We climbed the stairs back to the main floor and headed for the attic stairs, which were hidden behind a sliding bookcase. The mechanism still worked, and it slid open with a groan, revealing a spiral staircase.
The attic was cramped, with low ceilings and a dormer window. It was filled with old trunks, a dressmaker’s dummy, and a child’s rocking horse. But the centerpiece was a large, ornate mirror, covered with a black cloth. ‘Don’t look,’ Cole joked, but I saw his reflection in it, and it wasn’t his. It was a woman in a white dress, her face blurred.
I stumbled back, knocking over a stack of newspapers. They scattered, and one headline read: ‘LOCAL DOCTOR MISSING; BASEMENT HOLES BAFFLE POLICE.’ The date was October 1968.
Cole picked up the paper, his brow furrowed. ‘Says they found ‘organic residue’ in the holes. They thought it was blood.’
A floorboard creaked again, this time closer. We both turned. The attic door was now closed. We hadn’t heard it shut.
Cole rushed to it and pulled, but it stuck. Then a low, moaning sound rose from below, like air escaping from a tomb. The mirror behind us began to vibrate. The black cloth slid off on its own.
We turned to see our reflections, but they were wrong. Behind us, in the glass, two figures lay in the holes in the basement, their empty eye sockets staring up. The figures were not human; they were pale, elongated, with too many joints.
The rocking horse began to move on its own, gently swaying.
‘We need to leave,’ I shouted. We shoved the door, and it burst open. We ran down the spiral stairs, our feet clattering. The house felt alive, creaking and groaning. Pictures on the walls turned to look at us. The piano played a single, discordant note.
We reached the front door, but the knob wouldn’t turn. Cole threw his shoulder against it, but it was like hitting stone. Then we heard a sound behind us, a wet, dragging noise, like something crawling up the basement stairs.
We turned to see a shape in the darkness, a formless mass that filled the hallway, with long arms that seemed to stretch. It had no face, just a mouth that opened sideways, filled with needle teeth.
Cole grabbed a fire poker from the hearth and swung, but it passed through the entity as if it were mist. It shrieked, and the sound shattered a nearby window. The door flew open.
We tumbled out into the cold rain, not stopping until we reached Cole’s truck. He fumbled with the keys, and we sped away.
I looked back in the rearview mirror. The house was gone, swallowed by the fog. But on the back seat, a piece of paper had appeared. It was a medical record, dated the day of the doctor’s disappearance. It read: ‘Patient: John Doe. Diagnosis: unknown. Procedure: experimental vault. Outcome: deceased.’
We never spoke of it again. But sometimes, I catch my reflection in a mirror, and for a split second, I see the two man-shaped holes behind me, and I feel a cold draft on my back. As if something is waiting for me to return.