The Hollow Man of Rainy Hollow

7 min read

Story Premise 7 min read (1,268 words)

"It was the summer I turned twelve, the summer we moved to my grandmother’s old farmhouse in the foothills of the Blue Ridge. The nearest town was a twenty-minute drive, and our nearest neighbor was a half-mile down a gravel road that turned to mud whenever it rained, which was often that July. The house […]"

It was the summer I turned twelve, the summer we moved to my grandmother’s old farmhouse in the foothills of the Blue Ridge. The nearest town was a twenty-minute drive, and our nearest neighbor was a half-mile down a gravel road that turned to mud whenever it rained, which was often that July. The house sat at the edge of a dense forest, and behind it, an abandoned railroad track cut through a dark hollow the locals called ‘Rainy Hollow.’ They said the trains stopped running years ago, but sometimes, at night, you could hear a distant whistle.

My grandmother warned me to stay off that track, especially after dusk. She had her reasons, she said, but she never explained them fully. She was a woman of few words and many rules. But I was twelve, curious, and bored. My only companion was my dog, a scruffy mutt named Gus, who seemed to sense something ominous about the hollow. He would growl and refuse to go near it, no matter how much I coaxed.

One afternoon, after a heavy storm had passed, I decided to explore the hollow. The air smelled of wet earth and pine. I followed the old track, climbing over fallen branches and dodging puddles. About a mile in, I noticed a patch of bright green, almost unnatural, ferns growing in a perfect circle around a rusted water pump. There was something eerie about that circle, but I dismissed it as just a strange pattern.

As I approached, a dense fog began to seep from the woods, thin at first, then thicker, curling around the ferns. The temperature dropped sharply. Gus started whining and tugging at his leash, trying to pull me back. But I was mesmerized. The fog swirled and formed a column, rising from the center of the circle, and within it, I saw a shape—a man, tall and gaunt, with arms that were too long and a head that seemed to sway. He wasn’t solid; he was made of that sickly, glowing mist, and his eyes were two black pits that seemed to swallow the light.

I couldn’t move. My heart pounded, but my legs were frozen. He spoke, but his voice was like the rustling of dry leaves, a sound that came not from any mouth but from the air around him. ‘You’ve found my pump,’ he said. ‘You’ve brought me water.’ And then he pointed a long, misty finger at Gus. ‘But your dog knows better.’

Gus let out a low growl, his fur standing on end. The wraith laughed, a dry, rasping sound. ‘He smells the fear on you,’ he said. ‘He smells the water. You think you can take it from me?’

I wanted to scream, but my throat was tight. The wraith extended his hand, and a cold hand of mist touched my chest. I felt a pulling sensation, like something was being drawn out of me. My vision blurred, and I collapsed onto the wet ground.

When I came to, the fog was gone, and the sun was setting. Gus was licking my face, whining. I scrambled to my feet and ran all the way back to the farmhouse, not stopping until I slammed the screen door behind me. My grandmother was in the kitchen, drinking tea. She looked at me, her face pale, and said, ‘You went to the hollow, didn’t you?’

I nodded, trembling. She set down her cup. ‘You saw him. The Hollow Man. He’s been there since I was a girl. He waits for the rain, for the water to rise, and then he calls out to anyone foolish enough to wander near.’

‘What does he want?’ I asked, my voice barely a whisper.

‘He wants to be whole again,’ she said. ‘He’s incomplete. He needs to draw the water and the spirit from the living to fill himself. And once he takes enough, he’ll become solid, real. Then he’ll leave the hollow and come for the rest of us.’

I felt a chill run down my spine. ‘Did he take something from me?’ I asked, thinking of that pulling sensation.

My grandmother looked at me with a sad, knowing gaze. ‘Not yet. But he’s marked you. He’ll come back for the rest.’

That night, I lay in bed, unable to sleep. I could hear the wind outside, the creaking of the old house. But beneath those sounds, I thought I heard a faint, rhythmic pumping, as if someone were working an old water pump. It went on for hours, and when I finally fell asleep, I dreamed of the hollow, the ferns, and the man of mist, standing over me, his hand reaching for my chest.

The next morning, I woke to a thin layer of fog clinging to the ground, even though the sun was bright. And in the garden, near the back porch, there was a patch of bright green ferns, identical to the ones in the hollow, with a rusty water pump in the middle. It hadn’t been there the day before. My grandmother saw it and went white. ‘He’s moved the circle,’ she said. ‘He’s drawing closer.’

We tried to leave that day, but the car wouldn’t start. The phone lines were dead. And when we walked to the neighbor’s house, we found it empty, with pots still on the stove, as if the family had vanished mid-meal. A cold dread settled over us. We were cut off.

That evening, as dusk fell, I heard the pump begin to creak. I looked out the window and saw the fog rolling in from the hollow, thicker than before, and in the center of it, the shape of the Hollow Man, taller, more defined, his features now sharper, almost human. He was walking toward the house, dragging something behind him. It was the neighbor’s dog, but it was limp, drained of life.

My grandmother grabbed my hand and dragged me to the root cellar beneath the kitchen. We huddled among jars of preserves and old potatoes, listening as the pumping grew louder, closer. Then came a knock at the cellar door. Three slow, deliberate knocks. My grandmother whispered, ‘Don’t make a sound. He feeds on fear. He’ll only take you if he can taste your fear.’

But I was trembling so hard I could barely breathe. The knob started to turn. I clutched my grandmother’s arm, and she squeezed back. The door creaked open, and a hand made of mist reached inside, brushing against my cheek. It felt cold and moist, like a night fog. Then it withdrew, and the door slowly closed.

We stayed in that cellar for what felt like hours, until the sounds faded. When we finally emerged, the first light of dawn was breaking. The ferns were gone. The pump was gone. The fog had lifted. The neighbor’s dog was gone too. But on the kitchen table, there was a single object: a rusted iron pump handle, dripping with water.

We left the next day, hitchhiking to town when a truck finally passed. My grandmother never spoke of that night again, but she kept the pump handle locked in a wooden box. I never went back to the hollow, and I never saw the Hollow Man again. But sometimes, on rainy nights, I’ll hear a faint, rhythmic pumping from somewhere outside, and I’ll look out the window, half-expecting to see a tall figure standing in the mist, waiting for me to come back and finish what he started.

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