I never believed in the old stories about Brine Hollow, not even when my grandmother warned me about the thing that lived in the woods. She said it wore a man’s shape but had the soul of a goat, and that it came to the lonely and the bitter. I thought she was just a superstitious old woman, and I laughed at her tales. That was before I moved into her house after she died, before the silence of the countryside pressed in on me like a second skin.
It started with small things: a creak on the stairs when I was alone, a shadow that darted past the window, the smell of wet fur in the hallway. I told myself it was mice, or the wind, or my imagination playing tricks. But then the touches began. At night, I would lie in bed, reading or trying to sleep, and I would feel a cold breath on my neck, a weight pressing on the mattress beside me. Once, I felt a hand—rough and clawed—brush my cheek, and I flinched, but when I snapped on the light, there was nothing there.
I wasn’t afraid. I had always been pragmatic, even stubborn. I rationalized every occurrence, convinced that my mind was conjuring phantoms to cope with grief. The more I ignored it, the more persistent it became. It moved my grandmother’s china, rattled the doors, and once, it pulled the quilt right off me, leaving me shivering in the cold. Still, I refused to give in to fear. I would lie there, my heart pounding, and say, ‘Is that all you’ve got?’
Then it stopped. For three days, the house was quiet, and I thought I had won. But on the fourth night, I woke to a presence so heavy it felt like the air had turned to stone. I couldn’t move, couldn’t speak. It was in the corner of my room, darker than the dark, and I could feel its eyes boring into me. I managed to whisper, ‘Show yourself.’
And it did. For just a moment, the shadow coalesced into a figure—a man, but not a man. It had the body of a human, but its skin was the color of burnt rust, and its legs bent backward like a goat’s. Horns curled from its matted hair, and its eyes glowed faintly amber. It held my gaze for a second, then stepped back into the darkness, vanishing with a sound like dry leaves skittering.
I lay there, shaking. The face I saw was not evil, not malicious, but ancient and hollow—like a being that had forgotten why it existed. And then, something even more terrifying occurred to me: it didn’t vanish because I wasn’t afraid. It vanished because it was afraid of me.
I knew then that I had to confront it, to understand why it had chosen me. I began to search the house, my grandmother’s old journals, and the town library for any mention of Brine Hollow’s history. I found a legend about a farmer who, during a great famine, made a bargain with the devil to save his family. The devil took his son, but the farmer tricked the demon, and it was trapped in the woods, neither alive nor dead, seeking out those who were lost or bitter—to feed on their despair.
I spent a week preparing, learning the ritual that was said to release it. I was terrified, but I was also curious, and curiosity was my true sin. The night I was ready, the creature appeared in my bedroom, standing by the window as if waiting. I held up a lantern—the moonlight was too weak—and spoke the words from my grandmother’s book: ‘By the salt of the earth, by the Ash and the Thorn, I release you from your hollow prison.’
The creature turned, and for the first time, I saw not hunger in its face, but something like relief. Its form began to dissolve, and I thought I had succeeded. But as it faded, it reached out and touched my chest, and I felt a cold seeping into my bones. The last thing I saw before it vanished was its smile—a terrible, knowing smile.
Now I understand. That thing wasn’t a demon; it was a guardian, a sentinel bound to the land. And by releasing it, I undid a pact my own ancestor made centuries ago. I can feel its presence now, not outside me, but inside. It’s in the way my legs itch to bend backward, the way my skin crawls with a coarse fur that doesn’t want to be shaved, the way my reflection in the mirror has started to show horns when I’m not looking.
I am the hollow one now. And I know what I must do: I must find a new victim, a person alone and bitter, to pass this curse to. I’m already looking. I can smell the despair on them, like wet ashes. It’s only a matter of time before I find someone who invites me in with their own fear.