The Hollow in the Wall

5 min read

Story Premise 5 min read (811 words)

"The first time I saw the crack in the wall, I blamed the house’s age. We’d moved into the old farmhouse two months prior, lured by the low rent and the promise of solitude. The walls were thick, the wood beams ancient, and the plaster was a patchwork of previous repairs. The crack ran along […]"

The first time I saw the crack in the wall, I blamed the house’s age. We’d moved into the old farmhouse two months prior, lured by the low rent and the promise of solitude. The walls were thick, the wood beams ancient, and the plaster was a patchwork of previous repairs. The crack ran along the kitchen wall, near the corner, thin as a hairline fracture. I meant to seal it, but life got busy, and I forgot.

Then the mice came. Not ordinary mice, but the sound of them—a soft scrabbling, a gnawing, a persistent rhythm that seemed to come from inside the wall itself. My cat, a grey tabby named Soot, took to sitting before the crack, ears swiveled, tail lashing. He’d never been a hunter, more of a lounge philosopher, but now he was obsessed. He’d scratch at the plaster, mewl in a low, urgent tone, and stare at the wall as if it held the secrets of the universe. I’d shoo him away, but he’d return.

One night, I woke to a crash. Soot had clawed his way into the crack, and the plaster had given way, leaving a hole the size of my fist. I shone a flashlight in, expecting to see the usual debris—dust, dead insects, maybe a nest. Instead, I saw a void. Not just a space between studs, but an impossible darkness, as if the wall opened into something far larger than the house. A cold draft seeped out, carrying a faint, sweet smell, like rotting fruit. Something glittered at the edge of the light—a sliver of glass, or a tooth. Soot was gone.

I called for him, but the house was silent. The next morning, I searched every room, every closet, every nook. No sign of him. I called the neighbors, the local shelters, but nothing. A week later, I was about to give up, when I heard the sound from the kitchen: a low, breathy hum, almost like a purr. I rushed to the wall, pressing my ear to the crack. The hum was coming from inside. And then, a voice, thin and reedy, like a child’s, but with an unnatural resonance: ‘He’s with us now.’

I should have moved out. I should have boarded the wall, called an exorcist, burned the house down. But I was alone, and the isolation had made me strange. I began to listen at the wall every night. The voice spoke in fragments, telling me things—secrets about the previous owner, who had died of a heart attack in this very kitchen. It told me where he’d hidden his life savings, and when I checked, there it was, in a tin under the floorboards. It told me about my own past, things I’d never told anyone. It knew my childhood fears, my secret shames. And with each disclosure, the hum grew more satisfied.

I started to feel a pull, a compulsion to open the wall further. I used a crowbar to rip away the plaster, revealing a gaping maw of darkness. The sweet smell was stronger now, almost cloying. I could see shapes moving in the void—suggestions of limbs, of faces, of something vast and patient. The voice whispered, ‘Come, join us. We have room for one more.’

I stumbled back, trembling. I’d lost Soot, but I refused to become another missing person. I called a contractor to seal the wall, but when he arrived, he found nothing. The wall was solid, unmarked, as if it had never been touched. The crack was gone. But I knew it was lying. I could feel it behind the fresh paint, waiting.

That night, I heard Soot’s familiar meow, but it came from inside the wall. I lay in bed, staring at the kitchen door, and I swear I saw the outline of a cat in the darkness, its eyes glowing. The voice said, ‘We miss you.’ I didn’t sleep.

Now, weeks later, I am writing this by lamplight. I have not left the house. The hum has become a whisper, the whisper a murmur, and the murmur a thrum that vibrates through my bones. I know the wall is waiting, and I know that part of me wants to open it again. I miss Soot. I miss the comfort of the lie. And as I press my palm against the cool plaster, I feel a pulse—like a heartbeat, steady and patient. I think, if I just make a small hole, I could see him again.

But I won’t. I’ll keep writing, keep denying. Yet the wall stands there, smooth and silent, a patience that outlasts my own. And I wonder, if I were to break it open, would I find a tunnel to somewhere, or would I find myself looking back at myself, forever trapped on the other side?

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