The Hollow Gable

4 min read

Story Premise 4 min read (710 words)

"Our land, the Briar Hollow, stretches for a hundred and sixty acres, a patchwork of woods and old fields that my family has worked for generations. My grandparents’ farmhouse sat at the edge of our property, and in their backyard, tucked against a thicket of pines, stood a small wooden structure we called the Gable. […]"

Our land, the Briar Hollow, stretches for a hundred and sixty acres, a patchwork of woods and old fields that my family has worked for generations. My grandparents’ farmhouse sat at the edge of our property, and in their backyard, tucked against a thicket of pines, stood a small wooden structure we called the Gable. It wasn’t much, just a single room with a peaked roof and a dusty window, but for us kids, it was a castle, a fort, a place where we could escape the watchful eyes of adults.

On that particular evening, my mother, Eleanor, was at home with my older half-sister, Claire, and Claire’s friend, Megan. They were thirteen, at that age where they craved independence, and when they asked to sleep in the Gable, Eleanor hesitated. The Gable had always felt a bit off to her, a chill that lingered even in summer, but she knew the girls would be safe. It was only a few hundred feet from the house, and the doors could be locked from the inside. She gave them a flashlight and a promise to check on them before midnight.

The sun dipped below the treeline, painting the sky in streaks of orange and violet, and the girls scurried off with their sleeping bags and a bag of snacks. Eleanor settled into the living room with a book, the old house creaking around her as it always did. She lost track of time, immersed in a dusty novel, until a sudden, jarring sound snapped her attention. It was a laugh, but not a human laugh. It was a deep, guttural roar that seemed to vibrate through the walls, filling the entire room. It was not a sound of joy but of pure malice, a sound that seemed to mock the very concept of laughter. It came from the direction of the Gable.

Eleanor’s blood ran cold. She rushed to the back door, staring into the darkness where the Gable’s faint outline was just visible. The laugh echoed again, louder this time, and then it stopped as abruptly as it had begun. A profound silence settled over the yard, heavier than before. Eleanor called out Claire’s name, her voice trembling, but there was no answer. She grabbed a shotgun from the closet, her hands shaking, and stepped onto the porch. The air was still, the stars cold and distant. She walked toward the Gable, each step crunching on the dead leaves, the beam of her flashlight cutting through the dark.

She reached the door and found it slightly ajar. Pushing it open, she saw Claire and Megan huddled in the corner, their faces pale, their eyes wide with terror. They were both trembling, and Claire was clutching a small wooden doll that she’d brought from home. Megan was whispering something over and over, a phrase Eleanor couldn’t quite catch. Eleanor knelt down, trying to calm them, but they wouldn’t speak. They just pointed to the far wall, where a crude drawing had been scratched into the wood: a stick figure with a twisted grin, and words that looked like they were written in blood.

Eleanor took them back to the house, and they stayed in her room that night, the girls huddled between her and the wall. The next morning, when daylight returned, Eleanor went back to the Gable to inspect the drawing. But the wall was smooth, unmarked. The only evidence of the night’s terror was the fear in the girls’ eyes. They refused to talk about it for years, but when they finally did, they described the same thing: a shape, tall and thin, with a wide grin that stretched impossibly across its face, standing in the corner, laughing without moving its mouth.

We never used the Gable again. It stood there, slowly rotting, a grim monument to that night. Eleanor never told me the full story until I was much older, and she still wouldn’t speak the thing’s name. She said it was better not to give it power. But sometimes, when the wind blows just right through the pines, I swear I can hear a faint, mocking laughter carried on the breeze, a sound that promises that what happened that night was not an end, but a beginning.

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