I have always been a person who feels things deeply, perhaps too deeply. My name is Meera, and at twenty-seven, I have learned that my sensitivity is both a gift and a curse. This story begins in a small apartment in the outskirts of Jaipur, where I lived with my older sister, Kavya. We had moved there just a few months prior, seeking a fresh start after a difficult year. The building was old, with creaky floors and walls that seemed to hold secrets. Our apartment was on the third floor, at the end of a long, dimly lit corridor. At the very end of that corridor was a door that was always locked, with a sign that read ‘No Entry’. We thought little of it at first, assuming it was storage.
One evening, I returned from work to find Kavya visibly shaken. She told me that a neighbor, a young woman named Nisha, had died. She had been seeing someone her family disapproved of, and after a heated argument, she had locked herself in her room. The next morning, her mother found her hanging from the ceiling fan. The entire building was hushed with a mixture of sorrow and morbid curiosity. I could not shake the image of Nisha, a girl I had never met, but whose tragedy resonated with my own feelings of being trapped. I remember thinking, how desperate must she have been?
That night, I could not sleep. I lay in bed, listening to the hum of the old air conditioner and the occasional creak of the building settling. Around 2 am, I heard a faint, rhythmic sound coming from the end of the corridor. It was a soft tapping, like someone knocking on a door. I dismissed it as the wind or a stray cat, but the sound persisted. Intrigued, I got up and walked to the entrance of our apartment. I peered through the peephole, but the corridor was empty. The tapping stopped as suddenly as it had started. I went back to bed, but a chill lingered.
The next night, I decided to investigate the end of the corridor. I brought a flashlight, and I stood before the locked door. The sign ‘No Entry’ seemed to mock me. I placed my ear against the wood and heard a faint whisper, like someone calling my name. I jumped back, my heart racing. I told Kavya about it in the morning, but she dismissed it as my ‘overactive imagination’. But I knew what I had heard.
A few days later, I attended a small ceremony for Nisha, held in the community hall. I was surprised to meet her younger sister, who looked very much like her. I offered my condolences, and she thanked me. She told me that Nisha had been unhappy for a long time, and that she had predicted her own death. ‘She always said she would come back,’ the sister said, with a strange glint in her eye. That evening, I felt an odd compulsion to go to the end of the corridor again. I stood before the door, and this time, I tried the handle. It was unlocked. The door creaked open, revealing a small, empty room. The walls were bare, but there was a single, old chair in the center. And on the floor, there were fresh flowers, as if someone had placed them there recently.
I stepped inside, and the air was cold and stale. I saw that the windows were painted shut, and the only light came from a single, dim bulb hanging from the ceiling. I noticed that the chair was facing the wall, as if someone had been sitting there, staring at the peeling paint. I felt a sudden wave of sadness, so overwhelming that I had to sit down. I sat in the chair, and I saw that on the wall, someone had scratched a name: Meera. My name. I froze. I had never been in this room before. How could my name be here?
I tried to stand, but my legs felt heavy. A cold breath whispered in my ear, ‘You came.’ I turned, but there was no one. The door slammed shut on its own. Panic surged through me. I ran to the door, but it was locked. I pounded on it, screaming for help, but no one came. The room seemed to grow darker, and the whisper returned, ‘You will stay with me.’ I felt a presence behind me, and I turned to see the silhouette of a woman, her hair hanging over her face, her hands reaching for me. I screamed, and then everything went black.
The next morning, Kavya found me in the corridor, unconscious, convulsing. I was taken to the hospital, where I was told I had suffered a severe panic attack. I told Kavya about the room and the name, but she said she had checked the room and it was empty, just dust and cobwebs. When I returned home, I went to the end of the corridor, but the door was locked again, and the sign ‘No Entry’ was intact. I never saw the room again, but I could feel it. Sometimes, at night, I would hear the tapping from the end of the hall, and I would see a shadow of a woman standing just outside our door. And I would hear her whisper, ‘You will come back.’ I moved out a week later, but to this day, I cannot enter a room without checking if it has a chair facing a wall, and I cannot look at a locked door without feeling a pull towards it. The end of that hall still haunts me, and I know that somewhere, in that empty room, she is waiting for someone else.