The Dried Juniper Casket

5 min read

Story Premise 5 min read (971 words)

"Elara and I had always been drawn to the forbidden. In the dusty attic of my grandmother’s abandoned farmhouse, we found it: a hand-carved wooden box, the lid etched with a twisting, thorny vine. The wood was dark, almost black, and smelled of old incense and something else, something acrid and sweet, like rotting fruit. […]"

Elara and I had always been drawn to the forbidden. In the dusty attic of my grandmother’s abandoned farmhouse, we found it: a hand-carved wooden box, the lid etched with a twisting, thorny vine. The wood was dark, almost black, and smelled of old incense and something else, something acrid and sweet, like rotting fruit. My grandmother had warned me never to open it, but she was gone, and the attic was ours.

That evening, we set up the board in the parlor, where the wallpaper peeled like sunburned skin and the windows rattled with a November wind. We placed the planchette on the glossy surface and called out to the spirit of Maren Voss, the woman who had once owned this farm and who, according to local legend, had hanged herself from the great oak in the backyard after being cast out of her own coven. We’d heard the stories: she was a witch, a devil-worshipper, and her spirit still lingered, angry and unforgiving. I remember laughing, saying, ‘Nothing’s going to happen. It’s just a game.’ But the moment I said it, the planchette began to move.

It slid in slow, deliberate circles, then stopped at ‘YES.’ My blood felt cold. We asked who we were speaking to, and it spelled out ‘MAREN.’ But when we asked why she was so slow to respond, the planchette jerked violently, pointing to each letter with such force that the board nearly tipped. It spelled ‘YOU’ and then ‘LEFT’ and then ‘ME.’ I didn’t understand. My grandmother had always kept that board in the attic, untouched for decades. I said, ‘We didn’t leave you. We just found you.’ The planchette flew off the board, clattering to the floor. A cold gust blew out our candles, plunging us into darkness.

When we stumbled to light them again, the planchette was back on the board, but now it was pointing to the word ‘BURIED.’ Then it spelled ‘UNDER’ and then ‘THE’ and then ‘JUNIPER.’ Elara and I exchanged terrified glances. We had no idea what that meant. But the spirit wasn’t finished. It spelled ‘MY’ and ‘BONES’ and ‘ARE’ and ‘RESTLESS.’ And then, as if mocking us, it added, ‘BUT NOW YOU’LL JOIN ME.’

We tried to close the board, but the planchette refused to move. It would only spell out letters, always returning to ‘BURIED’ and ‘JUNIPER.’ Finally, in a panic, I grabbed the board and threw it into the fireplace. The flames roared, turning the wood to ash within minutes. But the planchette remained on the floor, untouched, and I could swear I heard a woman’s whisper in the crackling fire, saying, ‘You’ll have to do better than that.’

That night, neither of us slept. Elara went home, but she called me at 3 a.m., her voice trembling, saying she could hear footsteps in her hallway, and that the smell of juniper berries filled her room. I tried to calm her, but I was lying in my own bed, clutching my pillow, because I could swear I saw a dark figure standing at the foot of my mattress, a shadowy shape with long, tangled hair, and it was pointing a long, bony finger at the window, where the old oak tree’s branches tapped against the glass like they were beckoning.

The next morning, I went to the backyard, to the base of that gnarled oak. The ground was uneven, sunken in places. I didn’t need a shovel to know what I’d find. I started digging with my hands, stubborn and afraid, until my fingers hit something hard and cold. It was a bone. A human finger bone, still stained with dirt and time. I screamed and ran back inside, but it didn’t stop there.

That night, the whispers began. Not in my ears, but in my mind, like a memory I couldn’t place. ‘You’ve found me,’ they said. ‘Now I can rest.’ But there was no relief in that voice, only a cold, hollow triumph. And then I felt a shadow pass over me, and I knew that something had followed me out of that grave. I looked in the mirror, and for just a second, my reflection smiled back at me—not my smile, but a twisted, knowing grin. And my hand, as if moving on its own, reached up and began to write on the dusty mirror. It wrote: ‘You left me. Now you will stay.’

I didn’t sleep that night, or the next. Elara stopped answering my calls. I learned later that she had been found in her own home, sitting in a rocking chair in the corner of her bedroom, her eyes wide and unseeing, her lips moving in silent conversation with no one. She was alive, but she hadn’t spoken a word since. The doctors said it was shock. I knew better.

Now I sit here, in the farmhouse, writing this account. The board is gone, but it doesn’t matter. The spirit of Maren Voss is not bound to a board. It is bound to the land, to the bones I uncovered, to the very air I breathe. I feel her presence growing stronger each day, like a vine wrapping around my soul. And I know, with a certainty that chills me to my core, that she will not rest until I lie beneath that juniper tree, just as she did, just as she promised I would. The shadow at the foot of my bed is no longer a stranger. It is the reflection I see in the mirror, the voice in my head that whispers my name in a language I should not know. And I am beginning to think that maybe, just maybe, she was never the one trapped in that grave.

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