My grandmother kept the music box on the top shelf of the hallway cabinet, a place I wasn’t allowed to reach. It was a delicate thing, a porcelain ballerina in a faded pink tutu, her arms forever raised in a pose of grace. When I was five, my grandmother found me on a stool, reaching for it, and she laughed, her voice like dry leaves. She took it down and wound it for me, and the tinkling melody filled the hallway. But one day, the ballerina’s arm snapped off at the shoulder, a clean break, and the music box fell silent. We tried to wind it, to coax it back to life, but it was dead. Grandmother placed it back on the shelf, and we never spoke of it again.
Years passed. I grew, the hallway cabinet became just furniture. Then, when I was seven, I was sitting on the old floral sofa in the living room, reading a comic book, when I heard a faint, familiar tune. It was the ballerina’s song, coming from the hallway. I froze, the comic slipping from my hands. The sound grew louder, a delicate chime, and I knew it was the music box, somehow playing on its own. I crept to the hallway and peered around the corner. The cabinet was closed, but the music was definitely coming from inside. I opened the door, and there it was: the ballerina, her one remaining arm raised, spinning slowly on her base. The music box was playing, though no one had wound it. I slammed the door shut and ran back to the sofa, my heart pounding. That was the first time I heard my name called. It was a soft, whispery voice, coming from the air itself. It said, ‘Lily.’ And I knew it was the music box, or something that lived inside it.
Grandmother was in the kitchen, humming as she washed dishes. I didn’t tell her what I’d heard. But later that night, as she tucked me into bed, she said, ‘You know, my sister Martha was taken when she was young. They never found who did it.’ She said it as casually as if she were telling me about the weather. I asked her more, but she just shook her head and said, ‘Some things are better left alone.’ I thought about the music box, and the voice, and I felt a chill.
The music box played only for me, and only when I was alone. It would start on its own, and I would hear my name in that whisper, followed by a sound like something being dragged across the floor. I never saw anything, not really. But once, when I was nine, I opened my bedroom door and saw a small, black orb dart out from under my bed and disappear into the hallway. It was no bigger than a tennis ball, and it moved faster than anything I’d ever seen. I stood frozen, my hand on the doorknob, and then I heard the music box start to play from the living room. I didn’t sleep that night.
Now I’m thirteen, and the music box has been silent for years. But the feeling of being watched has only grown stronger. I avoid the hallway cabinet, but sometimes I catch a glimpse of the ballerina through the glass, her one arm still raised, as if she’s waiting for something. Last week, I decided to open the cabinet and take her out. I don’t know why; I just had to know. The ballerina was cold to the touch, her porcelain face flawless except for the crack where her arm had been. I turned the key on the side, and nothing happened. But then I noticed something I’d never seen before: a small, hairline crack in the base, running in a spiral pattern, like a snail’s shell. I ran my finger along it, and the music box began to play on its own, and I heard my name, but this time it was a man’s voice, deep and raspy. ‘Lily,’ it said, ‘I’ve been waiting.’ And the ballerina began to spin, faster and faster, until she was a blur. I dropped her, and she shattered on the floor. The music stopped. But I could still feel the eyes on me, and I knew that whatever had been in that music box had been watching me my whole life, waiting for the day I would set it free. I just hope I’ve done the right thing. Because now, I hear footsteps in the hall when I’m alone, and the whisper of my name is everywhere, and I’m starting to think it’s not the ballerina I should be afraid of, but what she was keeping locked away.