The dream came again on the night of the harvest moon, and I woke with its weight still pressing on my chest. My name is Evelyn, and I live alone in a converted lighthouse on the northern coast, where the fog rolls in like a second tide. My only companion is a gray tabby named Moth, who curls at the foot of my bed, his ears twitching in his own feline dreams.
The dream is always the same: I am standing in a long, narrow corridor with peeling wallpaper, and at the end there is a door slightly ajar. I know I should not open it, but my feet carry me forward. The door swings open to reveal a room filled with antique clocks, all stopped at 3:33. And in the center, a wooden chair begins to rotate slowly, though no one is sitting in it. I always wake just as the chair completes its turn to face me.
Last night was different. I had drunk a cup of chamomile tea, but my mind would not settle. I felt a profound sadness, as if I had lost something I could not name. I lay in the dark, listening to the wind moan through the cracks in the old masonry. Moth stirred and mewed, and I reached out to stroke him, but he pulled away, his eyes fixed on something behind me. A chill ran down my spine.
I heard it then: the creak of my own swivel chair, the one I kept by the window for reading. It was a small, unremarkable chair, but in the stillness of the night, its groan was unmistakable. I held my breath, waiting. The chair squeaked again, a short, sharp turn, as if someone had shifted their weight. My heart hammered. I tried to convince myself it was the wind, or the house settling, but the sound was too deliberate.
A voice, thin as a thread, whispered from the direction of the chair. It was my grandmother’s voice, though she had been dead for ten years. ‘He is waiting,’ it said. I froze. My grandmother had always warned me about the dangers of the sea, of the things that dragged sailors down. But she had never spoken of waiting. Waiting for what?
I forced myself to look. In the pale moonlight filtering through the curtains, I saw the chair slowly rotating. It turned a quarter, then half, then three-quarters, until it faced me. There was no one in it, but the air around it shimmered, like heat over a summer road. And then I understood: the chair was not empty. Something had been sitting there all along, waiting for me to notice.
I wanted to scream, but my voice was trapped in my throat. The chair began to move toward me, its wheels silent on the wooden floor. I scrambled out of bed, backing toward the door, but my legs were weak. The chair advanced, and I saw in the faint light that its seat was damp, as if it had risen from the sea. The smell of brine filled the room.
I reached the door and yanked it open, stumbling into the hallway. The chair stopped at the threshold, as if it could not cross. But the voice came again, from inside my head this time: ‘He is waiting for you at the water’s edge.’
I ran. I ran down the spiral staircase of the lighthouse, my bare feet slapping on the cold stone. I burst out onto the rocks, the wind whipping my nightgown. The sea was churning, black and frothing, and there, at the waterline, stood a figure. It was tall, cloaked in shadow, and it held out a hand, as if inviting me.
I stumbled backward, but the figure did not move. It was only when a wave crashed against the rocks that I saw its face—or rather, the absence of one. Where its features should have been, there was only a swirling vortex, like a whirlpool. And from that vortex, my grandmother’s voice again, now tinged with despair: ‘He has been waiting for you since you first dreamed. I tried to warn you.’
The figure took a step toward me. I turned and fled back inside, slamming the door, and did not stop running until I had barricaded myself in the bedroom. The chair was back in its place by the window, motionless. But I know it is only waiting. And tonight, when the moon rises, it will turn again, and he will be waiting for me at the shore.
I do not know how much longer I can resist. The dream comes every night now, and with each passing hour, I feel myself drawn closer to the water. Perhaps, one day, I will not run. Perhaps I will take his hand. But for now, I sit in the light, watching the chair, and I wonder if the waiting is the worst part, or the knowing that he will not wait forever.