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In this audacious and unsettling Brazilian exploitation film, a young man, overwhelmed by desperation, brutally murders his parents with a straight razor and then casually heads to the cinema, as if escaping into the dark to forget his heinous act. Meanwhile, a parallel narrative unfolds as two young women discover a forbidden love, their passion interwoven with the violent undercurrent that pulses through the city. Júlio Bressane crafts a raw, experimental, and deeply atmospheric journey that explores the darkest corners of the human psyche, where violence and desire intertwine. This is not a typical horror film but a visceral, transgressive experience that lingers long after the final frame, challenging viewers with its stark imagery and unflinching realism. Prepare for a disquieting ride through the chaos of the late 60s, where every scene drips with tension and unpredictability.
Frequently Asked Questions
What is Matou a Família e Foi ao Cinema about?
In this audacious and unsettling Brazilian exploitation film, a young man, overwhelmed by desperation, brutally murders his parents with a straight razor and then casually heads to the cinema, as if escaping into the dark to forget his heinous act. Meanwhile, a parallel narrative unfolds...
When was Matou a Família e Foi ao Cinema released?
Matou a Família e Foi ao Cinema was released in 1960.
Where can I stream Matou a Família e Foi ao Cinema?
Check local streaming services and digital release platforms for Matou a Família e Foi ao Cinema availability.
User Reviews
“This movie is a raw, gritty masterpiece. The opening scene with the razor was so shocking and real, it set the tone for the whole film. The parallel storylines made it even more disturbing, and I couldn't look away. Not for the faint of heart, but a must-watch for hardcore horror fans.”
“I appreciate the experimental style and the audacity, but the plot felt too fragmented for me. The acting was decent, but the constant shifts in narrative made it hard to stay engaged. It has its moments of pure horror, but I wish it had a more cohesive story.”
“The atmosphere is incredibly bleak and oppressive, exactly what I look for in a horror film. The love story between the two girls felt out of place, but it added an extra layer of weirdness. It's a slow burn, but when it hits, it's brutal. Definitely a unique experience.”
“I get what Bressane was going for, but this just didn't click with me. The violence felt gratuitous, and the lack of clear exposition left me confused. Maybe I'm too used to mainstream horror, but this was more art-house than scary. Still, worth a look for its historical significance.”
